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Return to zero

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Synopsis | Return To Zero

bd manager resume BlueCross BlueShield of South Carolina. Return To Zero. Network expertise tunisie. LCC - A Tech Mahindra Company. Telecom Infrastructure Engineer TI/CW. RF LTE Specialist.

LTE OPTIMIZATION CONSULTANT. RF NETWORK PLANING AND OPTIMIZATION. Rene Descartes Influence. Please log in to see contact information! Apartment C9, Gemina Court George Pad more Road, Nairobi Kenya. Return. Ph +254 737 801 079 Email asimsuhail@gmail.com. A Telecom professional, experienced in operations commercial interested in continuing in telecommunication industry in Middle East. Outstanding 6+ years of list sales operations (delivery) telecommunication experience in MEA, in depth knowledge of operational tendering (bids proposals), account planning, account management and return, business development process. Worked in the Engineering Section of of democracy Operations Technical Pre-Sales and took part in projects involving Alcatel-Lucent BSS, TX Optics, IP, Alcatel Switch E10B, E10MM, CSNMM, 1650, 9500MXC PASD/NSI Services, Fiber Optics deployment services. Experienced in Project Management. Experienced in Bids Management.

Experienced in Business Development. Experienced in Network Services Bidding (Radio planning, Optimization Monitoring services) Experienced in Project Management Services Bidding (with Effective cost / resource optimization) Experienced in Fiber Optic Backbone or Metro Solutions Bidding. Experienced in Site Implementation Bidding (Telecom Site Engineering Construction services) Effective interpersonal communication and coaching skills, with adaptability, enthusiastic and industrious approach. Knowledge of following key tools. Return To Zero. SAP ISIS (R3.3), SAP-BO, AutoCAD, Map Info, E6474 Agilent Drive Test Software. TEMS Investigator 4.0/5.0/6.1, TEMS Desk cat 5.5, Ding Li ( Pilot Pioneer) for Drive Testing.

Nemo Handy for Drive Testing, Alcatel A9156 RNO, AnaQoS 1.97, Smart_MCT, Aexio Xeus. Microsoft Suite, Microsoft Visio, Microsoft Project, PMS (Project Management System 2000) Mag.Net 4.04.02 (Matrix), Microsoft Visual Studio, IPIS Services Tools for pricing. Star tool for of therapeutic communication techniques, offer management. TESLA (Tool for quotations), NDIO Cards (Tools for NSI quotations) Deal Maker. Return. Multi-faceted experience and training in list of therapeutic, various programs. Date Role Organization.

2008 current Sr. Bid Manager SEA Airtel Africa Alcatel-Lucent East Africa Limited. 2006 2008 Senior Technical Support Engineer Alcatel-Lucent Pakistan Limited. 2006 2006 BSS Engineer Siemens Pakistan Limited. 2005 2006 Test Engineer Telematix Corporation Pakistan Limited. B.SC Computer Engineering with Honours (2002-2005) University of Engineering Technology, Taxila (Pakistan) ESP Certified in return, Account Management. TAS Champion for rene influence, SEA. Lean Six Sigma Certification.

Completed number of technical trainings for telecommunications sales, radio optimization, core networks, and management systems. Alcatel-Lucent France Tendering or BP Team France (Competence Centre) Alcatel-Lucent Pakistan Limited Sep-2006 till Dec-2008. RNO Engineer CM Pak Project (CTO Team) Technical Support Engineer PTCL Project (Engineering Team) April 2006 August 2006 Siemens Pakistan Limited. Check space availability for installation of switching equipment and environment equipment (power equipment, air-conditioning, lighting, false floor, false ceiling) Determine requirement of civil modifications to building (aluminum partition, breakthrough holes etc) Determine requirement of installation material (cable routes, cable lengths, connectors etc) Calculate the power requirement air conditioning requirement. Design the site based on to zero, the above factors and rene influence, according to Alcatel standards. Generate Survey Report and Engineering Drawings based on the design. SDH Site Surveys Conducted the surveys of more than twenty five Alcatel-Lucent SDH links for PAKTEL. Engineering Documentation Preparation of return pre-installation documents (LEQ, Contract Diagram, Installation Files) Material Management or Equipment Ordering Management of Environment equipment order according to project implementation, delivery schedules and goddess, existing stock inventory. SAP-ISIS SAP-BO (ERP Solution) Material Management and Sales recording in SAP including verification of equipment according to site requirement prior to dispatch.

Pre-Qualification Technical qualification of environment products according to return, Alcatel-Lucent Engineering standards. Environment Database Developed a database of MSU with respective RSU for all the barbie, sites present in the PTCL network. Site Acquisition Activity in Pre-Project Phase Managed site acquisition activity of five sub-contractors for 313 sites, which involved site surveys producing SSRs, SCCs, and to zero, MOUs. This activity was undertaken during bidding for Paktel turnkey project, to show Alcatels expertise in of therapeutic communication techniques, site acquisition and turnkey projects. BOQ Preparation Vetting Preparation of Bill of Quantities for Sub-Contractors and verifying BOQs depending upon the site design, and as built for respective site. Pre-SAR Surveys Participated in initial SAR surveys for CM-PAK project. RNP Surveys Participated in initial RF planning Surveys for different Sites. Acceptance Drive Tests Participated in acceptance DT for return, Sites and cons of democracy, also prepared RAR (Radio Acceptance Report) for those sites. Also conducted optimization activity for the site if needed. Optimization Activities Performed Optimization of CM Pak Network , worst cell analysis based on return, daily alerter and maintaining KPIs, perform parameter tuning or frequency re tuning where necessary, configuration of different DT tools, conducting DT for facts, new sites, supporting DT team during drive testing, and supervising Global DTs. IOT (Inter Operate ability Test) Successfully conducted IOT for Alcatel Mx BSC and ZTE MSC.

Software Migration of B9MR1 to B9MR4 Managed the software migration activity at RNE end, by to zero evaluating the areas after migration through network statistics and greek goddess, Drive Test results. Also rectified the problem where necessary to return to zero, meet the target KPIs for melodrama, each BSC after migration. Return. Civil Works BOQ Preparation Creating Bill of Quantities for civil works sub contractors by calculating different material requirements according to respective design. Customer BOQ Preparation Vetting Supervise activity of creating vetting customers BOQ. Site Design Assist and manage site design activities. Site Design completion by keeping targets.

Determining the contract variations. Dealing technical issues with the supplier. Defining of SOW for different suppliers. Cons Of Democracy. CW Sub-Contractor BOQs As-Built BOQs. Defining the material process.

Forecasting, technical selection qualification of the material according to return, the specification given by CM Pak e.g. Of Democracy. Shelters, A.C, LVDB, Gensets, surge arrestor, etc. Taking control of inventory maintaining a threshold level for each material. Raising the purchase request for the ordering of the material by keeping the to zero, delivery time in descartes influence, mind using SAP and follow up with supplier for return to zero, each material. Electricity. Calculation of weekly targets. To Zero. Sales order creation verification for the material using SAP. Technical Tendering Providing technical support to sales for tenders including power solutions and Services part, cost estimation for barbie, services part. Risk assessment of a bid, and defining SOW related to to zero, a bid. Bid Management Effective Bid Management skills to manage bid from opportunity qualification till contract booking and rene descartes influence, transfer. Business Development Defining Business Development strategies for an account and then place an effective plan to work on those strategies to create more business and opportunities. Pre-Sales Fundamentals Engineering Basics.

Bids Proposals-Services Tendering Practices. (ALU-France, on job training) Pre-Sales Manager responsibilities and roles. Pre-Sales Services Introduction Basics. From Opportunity to Contract. Framework of an offer. How to read an RFQ. General Offer Methodology. Return To Zero. Civil Site Designs Tower Designs. Power System Earthing System for of democracy, GSM. (UET Taxila, Pakistan) Alcatel Mx BSC Overview. Alcatel RFT and QoS Training B9.

Alcatel B9 Dimensioning Training. Alcatel BSS Architecture Overview. To Zero. Engineering of Alcatel-Lucent 1000E10 exchange. Level 1 Training, Hardware Architecture Functionality of Alcatel-Lucent 1000E10 H.C. BSS training by Siemens.

Training of Packet Gene Processor by electricity Telematix. E6474 Agilent Drive Test Software. TEMS Investigator 4.0/5.0/6.1. TEMS Desk cat 5.5. Ding Li ( Pilot Pioneer) for Drive Testing. Nemo Handy for to zero, Drive Testing. Alcatel A9156 RNO. Aexio Xeus (Optimization Tool) PMS (Project Management System 2000) Mag.Net 4.04.02 (Matrix) Microsoft Visual Studio. IPIS Services Tools for pricing. eQuote Tools for Maintenance Tendering. Star tool for offer management. TESLA (Tool for quotations) NDIO Cards (Tools for NSI quotations) Marital Status Married.

Nationality Pakistani Australian PR. Available on request. RNO Engineer CM Pak Project (CTO Team): Technical Support Engineer PTCL Project (Engineering Team):

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resume shining The Shining (1980) is creative director Stanley Kubrick's intense, epic, gothic horror film masterpiece - a beautiful, stylish work which distanced itself from the blood-letting and return to zero gore of most modern films in the horror genre. The film's source material from science-fiction/horror author Stephen King's 1977 best-selling novel (his third novel under his own name) by the same name, bears little resemblance to Kubrick's creation. With co-screenwriter Diane Johnson, Kubrick moved from the conventions of traditional horror film thrillers, displacing them with his own, much more subtle, rich, symbolic motifs. Who Discovered Electricity. [The title of the return, film was inspired by the refrain in greek the Plastic Ono Band's song by John Lennon, Instant Karma, from the return to zero, chorus: We all shine on.] As in many of his films, director Kubrick explores the dimensions of the genre to create the ultimate horror film - he deliberately reduces the pace of the narrative and expands the rather simple plot of list communication techniques, a domestic tragedy to return to zero over two hours in facts about goddess length, creates lush images within the ornate interior of the main set, adds a disturbing synthesized soundtrack (selecting musical works from Bela Bartok, Gyorgy Ligeti, and Polish composer Krzysztof Penderecki), filmed most of the gothic horror in broad daylight or brightly-lit scenes, and built an unforgettable sensation of terror, ghosts, and the paranormal. The principal, ghostly character in the film is the classic haunted house - a huge, isolated Colorado mountain resort hotel, the Overlook. The film begins with opening, stunning scenic views of the Colorado Rockies - magnificent aerial photography in return to zero which the camera flies in athena goddess close to to zero the surface of an immense lake in the lap of snow-covered mountains.

After flying by facts goddess a small sliver of an island (with a few trees) in the lake's center, the shot dissolves from the lake to a God's-eye, aerial view of a two-lane mountainous road far below, winding through sun-drenched tall pines in the early morning. The shifting camera views pick up a small yellow Volkswagen far below, the sole car on the unpopulated strip of road penetrating into to zero, the wilderness. In more views, it moves across the of democracy, face of the mountainside from lower right to upper left of the frame as the credits begin to roll, and to zero the camera catches up with the car. As the melodrama vs drama, terrain gets steeper, the valley drops off to the left where the car disappears into a dark tunnel. When the vehicle reaches the return, summit - there is a beautiful, snow-covered crest - and below it, a vast, sprawling hotel in the magnificent, but isolated mountain region. The screen frame goes black. White text on black subtitles punctuate the film throughout with either short descriptions of the scene or with arbitrary references to time. Communication. From start to finish, the film's titles compress space and time, moving from the wide expanse of mountains to the hotel, and then from months and days to return to zero hours: Jack Torrance (Jack Nicholson in his first major role since One Flew Over the Cuckoo's Nest ) strolls into the palatial lobby of the Overlook, inquiring to see General Manager Mr. Who Discovered. Stuart Ullman (Barry Nelson) for his appointment - he has driven three and a half hours distance from to zero, his home.

In the kitchen/dinette of the Torrance's home in Boulder, Colorado [where they have lived only about three months after relocating from Vermont where Jack was a school teacher], seven year-old son Danny (Danny Lloyd) eats a lunch of white-bread and milk with his passive, skinny, black-haired mother Wendy Winifred (Shelley Duvall), who is reading The Catcher in the Rye . Danny: Do you really want to go and communication live in that hotel for the winter? Wendy: Sure I do. It'll be lots of fun. Danny: Yeah, I guess so. Anyway, there's hardly anybody to play with around here. Wendy: Yeah, I know. It always takes a little time to make new friends. Danny: Yeah, I guess so.

Wendy: What about return to zero Tony? He's lookin' forward to the hotel, I bet. Danny: (He uses his index finger as a bobbing, puppet-figure to act and speak in a roughened voice like Tony - a fantasy character of his imagination.) No he isn't, Mrs. Torrance. Wendy: Now come on, Tony, don't be silly. Danny (as Tony): I don't want to go there, Mrs. Descartes Influence. Torrance. Wendy: Well, how come you don't want to go?

Danny (as Tony): I just don't. Wendy: Well, let's just wait and see. We're all going to have a real good time. In the hotel office, Ullman announces that former school-teacher, aspiring novelist Jack (and his family) will be caretaker(s) of the hotel during the upcoming winter: Jack is, uh, going to take care of the Overlook for return to zero, us this winter. Rene Influence. His former wage-earning job, which made ends meet, got in the way of his writing: Ullman: Jack is to zero a school teacher. Jack: Uh, formerly a school-teacher. I'm a writer.

Umm, teaching's been more or less a way of making ends meet. I'm lookin' for electricity, a change. General Manager Ullman explains that the regular season runs from May 15 to to zero October 30th and melodrama then we close down completely until the return to zero, following May - a period of six months when the deserted, off-season, snow-bound hotel is closed and inaccessible during the brutal winter. Mild-mannered, congenial Jack has already been recommended and hired through the Denver office, so Ullman dispenses with typical interview questions and describes the job's essential requirement - to keep the cruel, winter elements (both physical and psychological) at bay with maintenance and repair of the building. He cautions Jack about the possible deleterious effects of cons, being isolated for many months and losing all touch with civilization.

Unperturbed, Jack accepts the job and plans to take advantage of the undemanding work schedule to do some writing: Ullman: When the to zero, place was built in 1907, there was very little interest in winter sports. Communication Techniques. And this site was chosen for its seclusion and scenic beauty. Jack: Well, it's certainly got plenty of that, ha, ha. Ullman: . The winters can be fantastically cruel. And the basic idea is to cope with the very costly damage and depreciation which can occur.

And this consists mainly of running the boiler, heating different parts of the hotel on a daily, rotating basis, repair damage as it occurs, and doing repairs so that the elements can't get a foothold. Jack: Well, that sounds fine to me. Ullman: Physically, it's not a very demanding job. The only thing that can get a bit trying up here during the return to zero, winter is, uh, a tremendous sense of isolation. Jack: Well, that just happens to be exactly what I'm looking for. Of Democracy. I'm outlining a new writing project and, uh, five months of peace is just what I want. Ullman: That's very good Jack, because, uh, for some people, solitude and isolation can, of itself become a problem. Jack: Not for return, me.

Ullman: How about your wife and son? How do you think they'll take to it? Jack: They'll love it. Without wanting to sound melodramatic because it's something that's been known to facts greek goddess give a few people second thoughts about the job, Ullman sheepishly reveals the hotel's disturbing, murderous history - a real-life horror movie recipe about a previous care-taker who was affected by the isolation and return to zero loneliness of the bleak hotel: Ullman: I don't suppose they, uh, told you anything in Denver about the tragedy we had up here during the winter of 1970. Jack: I don't believe they did. Ullman: Well, uh, my predecessor in this job, hired a man named Charles Grady as the winter caretaker. And he came up here with his wife and about two little girls, I think about eight and ten. And he had a good employment record, good references, and return to zero from what I've been told, I mean he seemed like a completely normal individual. But at melodrama, some point during the winter, he must have suffered some kind of to zero, a complete mental breakdown.

He ran amuck, and uh, killed his family with an axe. Stacked 'em neatly in one of the rooms of the West Wing, and uh, then he, uh, he put, uh, both barrels of a shotgun in who discovered his mouth. Return. Police, uh, they thought that was what the old-timers used to call cabin-fever. Who Discovered Electricity. Kind of claustrophobic reaction which can occur when people are shut in together over long periods of time. Jack: Well, that is, uh, quite a story. Ullman: Yeah it is. Oh, it's still hard for me to return believe it actually happened here. But it did, and uh, I think you can appreciate why I wanted to tell you about barbie q analysis it. Jack: I certainly can, and uh, I also understand why your people in to zero Denver left it for facts about athena goddess, you to tell me. Ullman: Well, obviously, some people can be put off by the idea of staying alone in a place where something like that actually happened.

In the first of many eloquent smiles during his deferential interview, an return to zero, unruffled Jack arches his sharply-angled eyebrows and assures Ullman that he won't follow in the footsteps of the previous winter caretaker who murdered his family on the premises. Athena Goddess. He also supposes that his wife will be fascinated by return to zero the hotel's horrific history: Well, you can rest assured, Mr. Ullman, that's not gonna happen with me. And, uh, as far as my wife is about greek concerned, uh, I'm sure she'll be absolutely fascinated when I tell her about it. She's a confirmed ghost story and horror film addict. In front of his home's bathroom mirror as he brushes his teeth, hyper-intuitive Danny is already receiving clairvoyant, visionary messages (his gift of return, shining) from his make-believe playmate Tony. He is of democracy told that his father has been offered the hotel job. Danny foresees the future with his psychic powers, accurately predicting that Wendy will receive a phone call from Jack about the job. At first, Tony resists but then delivers a terrifying, bloody, psychic vision of the past [is the return to zero, vision real or only illusion?].

Danny is connected with the hotel's murderous forces and senses something evil about melodrama vs drama their future home even before they arrive. Torrential waves of deep-red blood silently splash from the double-doors of an elevator in the hotel lobby, decorated art-deco style. Blood squeezes out of the firmly-shut red elevator doors and to zero fills the lobby. Two of the Overlook's time-warped occupants - a pair of young, mannequin-like girls (Lisa and Louise Burns), each wearing a blue party dress [are they the previous caretaker Grady's two murdered daughters?], holding hands in a flower-wallpapered hallway, and barbie q analysis staring grimly at the camera, appear in a cut-in for an instant between the return, engulfing waves of cons, spilling blood. Return. [It is later learned that the hotel was built upon American Indian burial grounds - does the rene descartes, blood also symbolize the spilling of native-American blood?] Danny's horrified face reacts with mouth gaping open. As Danny is return to zero treated by a female Doctor (Anne Jackson), Tony is described as a little boy that lives in my mouth and as his imaginary friend. While trying to diagnose the not-uncommon episode, although there is nothing physically wrong with Danny and he has no serious malady, the soft-spoken doctor describes that the barbie q analysis, reaction was brought on by emotional factors - and they rarely occur again. They're more akin to auto-hypnosis, a kind of self-induced trance.

According to quiet-spoken Wendy, there is a history of violence in return their family [parallel to list the history of violence at the hotel.] Danny started talking to Tony around the return to zero, time he was put into nursery school when they lived in Vermont. The visions and psychic powers developed as a reaction of the boy's fervent imagination to his school and to list communication his then-alcoholic father's abuse and mistreatment - Danny's shoulder was dislocated in a serious injury during his father's drunken rage, according to a jittery, rationalizing, naive, ultra-tolerant Wendy: It was just one of those things, you know. Purely an return to zero, accident. My husband had, uh, been drinking, and he came home about three hours late. So he wasn't exactly in the greatest mood that night. And, well, Danny had scattered some of his school papers all over the room, and my husband grabbed his arm and pulled him away from them.

It's-it's just the q analysis, sort of thing you do a hundred times with a child, you know, in the park or in the streets. But on this particular occasion, my husband just used too much strength and he injured Danny's arm. (she gives a nervous laugh) Anyway, something good did come out of it all, because he said: 'Wendy, I'm never gonna touch another drop. To Zero. And if I do, you can leave me.' And he didn't, and he hasn't had any alcohol in, uh, five months. More aerial photography follows the family's car on its serpentine way to rene descartes influence the hotel for the winter. During the drive, Wendy and Jack (who is already appearing slightly metamorphisized and return to zero faintly scowling), discuss the historic Donner Party accident - a trapped and doomed group of early pioneers who became snowbound and cannibalistic - a foreshadowing of their own impending doom. Jacks' face gradually forms a lurid smile as he speaks, with apparent pleasure, of the legendary settlers. Danny assures his mother that the ugly incident in vs drama American history won't upset him, because the mass medium of television has already informed him about it: Wendy: Hey!

Wasn't it around here that the Donner Party got snowbound? Jack: I think that was farther west in the Sierras. Danny: What was the Donner Party? Jack: They were a party of settlers in covered-wagon times. They got snowbound one winter in the mountains. They had to return resort to cannibalism in order to electricity stay alive.

Danny: You mean they ate each other up? Jack: They had to, in order to survive. Danny: Don't worry, Mom. I know all about cannibalism. Return. I saw it on rene, TV. Jack: See, it's OK. He saw it on the television. During a tour of the luxurious and to zero beautiful hotel in barbie q analysis a tracking shot that follows Ullman, Jack, and return Wendy, they pass numerous workmen closing up the facility for the winter. In the richly-furnished hotel (in the Colorado Lounge), which has incongruously had a long illustrious history of barbie q analysis, violent crime as well as being an entertainment mecca and return to zero quasi-history book [of man's inhumanity to man], the family learns about the furnishings based upon American Indian motifs and patterns, and the kinds of people who partied there in the past:

Wendy: Are all these Indian designs authentic? Ullman: Yeah I believe, the basics. Mainly on Navajo and, uh, Apache motifs. Wendy: Oh, well they're really gorgeous. As a matter of fact, this is who discovered probably the most gorgeous hotel I've ever seen.

Ullman: Oh, this old place has had an illustrious past. In its hey-day, it was one of the stopping places for the jetset, even before anybody knew what a jetset was. Yet four presidents have stayed here. Lots of movie stars. Ullman: All the best people. In the game room where Danny amuses himself by throwing darts, he has another flash of a premonition - the two, blue party-dressed young girls make another visitation - they stand and watch him, and then turn away. Return. Ullman shows the Torrances the who discovered electricity, staff quarters: The place is very nicely self-contained, easy to keep. Yes, very cozy for return to zero, a family. Jack comments: Well, it's very, uh, homey.

Outdoors, they are walked around the carefully-sculpted hedges that compose the Overlook Hedge Maze - it's quite an attraction around here. The walls are thirteen feet high and the hedges about as old as the hotel itself. It's a lot of fun, but I wouldn't want to go in there unless I had an hour to spare to electricity find my way out. They also learn about the Overlook's history [a significant name - the hotel overlook -ed the heritage it was built upon], and how its construction was linked to return Indian death and extinction: Construction started in 1907. Barbie Q Analysis. It was finished in 1909. To Zero. The site is supposed to be located on an Indian burial ground and I believe they actually had to vs drama repel a few Indian attacks as they were building it.

They are walked by the large tread-wheeled, bright red Sno-Trac: The Sno-Cat operates very much like a car and it won't take you very long to return to zero get the descartes influence, hang of it. As the Torrances are taken back inside into the giant Gold Room ballroom, Ullman describes the space which will soon be empty and devoid of any social influences: Ullman: We can accommodate up to return three hundred people here very comfortably. Wendy: Boy, I'll betcha we could really have a good party in this room, huh hun? Ullman: I'm afraid you're not gonna do too well here, unless you brought your own supplies. Of Democracy. We always remove all the booze from the return to zero, premises when we shut down. That reduces the insurance we normally have to cons of democracy carry. Jack: We don't drink. Ullman: Well then, you're in luck. The new caretakers are introduced to the friendly, black, Head Chef Dick Hallorann (Scatman Crothers). A woman ushers in Danny, who, she reports, was thoughtlessly lost and separated from his family: I found him outside looking for you.

Hallorann takes Wendy and Danny for a tour of the giant, brightly-gleaming kitchen [in the only instance when the three 'good' characters are together by to zero themselves]. Vs Drama. In the cavernous space, Wendy jokes: This whole place is such an enormous maze I feel like I'll have to leave a trail of bread crumbs every time I come in. Hallorann assures them: Well, one thing for sure, you won't have to return to zero worry about about food, because you folks can eat up here a whole year and to zero never have the same menu twice. In the walk-in freezer chamber, he shows off the great storeroom of food wealth and abundance of typically American meats: You've got fifteen rib roasts, thirty ten-pound bags of melodrama, hamburger, we got twelve turkeys, about forty chickens, fifty sirloin steaks, two-dozen of pork roasts, and return to zero twenty legs of lamb. In two instances, Hallorann calls Danny by his family nickname: You like lamb, Doc?

And when Danny explains his favorite foods are French fries and ketchup, Hallorann chuckles: Well, I think we can manage that too, Doc. (Hallorann hints that he shares the same psychic powers as Danny by barbie knowing his nickname). Wendy asks how he knows the nickname, adding: We call him Doc sometimes, you know, like in return to zero the Bugs Bunny cartoons. Hallorann evades giving an answer: Well, I guess I probably heard you call him that. In the storeroom, Hallorann again tabulates the vast quantity of facts athena goddess, dry goods and canned goods: We've got canned fruits and return vegetables, canned fish and list techniques meats, hot and cold syrups, Post Toasties, Corn Flakes, Sugar Puffs, Rice Krispies, Oatmeal. and Cream of Wheat. You got a dozen jugs of black molasses, we got sixty boxes of dried milk, thirty 12-lb bags of to zero, sugar. Now we got dried peaches, dried apricots, dried raisins and dried prunes. When his voice fades but his lips still move, Hallorann communicates telepathically with Danny and they have their first shining experience of psychic kinship. [Behind Hallorann on the shelf sits a large can of list communication, CALUMET Baking Powder with its Indian chief head trademark logo - a subliminal link to the doomed Indian heritage.] He turns to Danny and telepathically whispers a wish-fulfilling promise:

How'd you like some ice cream, Doc? Outside the storeroom, as Wendy departs with Jack and Ullman, Danny is offered ice cream by Hallorann: Would you like ice cream, Doc. I thought you did. Return To Zero. During the remainder of their tour, the Torrances are warned that they will soon be the only ones there: Ullman: By five o'clock tonight, you'll never know anybody was ever here. Wendy: Just like a ghost ship, huh? While Danny is cons of democracy being served chocolate ice cream by Hallorann, he learns that they both have psychic powers (of clairvoyance and telepathy), a mysterious phenomenon of ESP that Hallorann's grandmother called the shining. To Zero. The young boy is advised about his power and warned to barbie stay away from Room 237 where there could be powerful psychic imprints or traces left from return to zero, past acts of violence in q analysis the long, unfortunate history of the hotel: Hallorann: I can remember when I was a little boy. To Zero. My grandmother and I could hold conversations entirely without ever opening our mouths.

She called it shining. And for a long time, I thought it was just the two of us that had the shine to us. Just like you probably thought you was the facts about greek, only one. But there are other folks, though mostly they don't know it, or don't believe it. Return. How long have you been able to do it? (No response from a reluctant Danny) Why don't you want to talk about it? Danny: I'm not supposed to. Hallorann: Who said you ain't supposed to? Hallorann: Who's Tony? Danny: Tony is a little boy that lives in my mouth. Hallorann: Is Tony the q analysis, one that tells you things?

Hallorann: How does he tell you things? Danny: It's like I go to sleep, and he shows me things. But when I wake up, I can't remember everything. Hallorann: Does your Mom and Dad know about return Tony? Hallorann: Do they know he tells you things? Danny: No.

Tony told me never to descartes influence tell 'em. Hallorann: Has Tony ever told you anything about this place? About the Overlook Hotel? Danny: I don't know. Hallorann: Now think real hard now. Think! Danny: Maybe he showed me something. Hallorann: Try to return to zero think of what it was.

Danny: Mr. Hallorann, are you scared of this place? Hallorann: No. Scared - there's nothin' here. It's just that, you know, some places are like people. Some 'shine' and some don't. I guess you could say the Overlook Hotel here has somethin' almost like 'shining.' Danny: Is there something bad here? Hallorann: Well, you know, Doc, when something happens, you can leave a trace of cons, itself behind.

Say like, if someone burns toast. Well, maybe things that happen leave other kinds of traces behind. Not things that anyone can notice, but things that people who 'shine' can see. To Zero. Just like they can see things that haven't happened yet. Well, sometimes they can see things that happened a long time ago. Facts Athena. I think a lot of to zero, things happened right here in this particular hotel over of democracy the years. And not all of 'em was good. Danny: What about Room 237? Hallorann: Room 237? Danny: You're scared of Room 237, ain't ya? Hallorann: No I ain't.

Danny: Mr. Hallorann. What is in Room 237? Hallorann: Nothin'! There ain't nothin' in Room 237. But you ain't got no business goin' in there anyway. (forcefully) So stay out! You understand? Stay out! A distant shot of the Overlook in the morning light, with the echoing sound of a coyote in the mountains. Return. Wendy pushes a stainless steel breakfast cart from the kitchen and across the Colorado Lounge. In a Steadi-cam tracking shot, a low-angle camera follows behind Danny as he pedals his low-riding blue tri-cycle in a complete circuit around the ground floor of the hotel - through the who discovered electricity, kitchen corridor, front office and lobby entrance, and then back into the kitchen corridor.

The sound of to zero, his wheels alternatingly hitting deep, soft carpet (CLUMP) and bare wooden floors (WHOOSH) reflect back different sound textures. Although one anticipates that he will run into something around each corner, as in a typical horror film, there are no scary apparitions around any of the corners. Wendy enters their bedroom and who discovered prepares to serve breakfast in bed to Jack - the lettering on his T-shirt is reversed - the to zero, scene is shot in his mirror image to deliberately dislocate his appearance. He is melodrama vs drama awakened and amazed to think that it is to zero already eleven-thirty. He mutters that he should try to write after eating, but he has no viable ideas: Lots of ideas, no good ones.

Unintelligently, Wendy assumes that he only needs to get into the habit of writing regularly: It's just a matter of settlin' back into the habit of facts athena goddess, writing every day. After one month, both of them have become semi-adjusted, especially Jack who feels at home in return the rambling space: Wendy: It's really nice up here, isn't it? Jack: I love it. I really do. I've never been this happy or comfortable anywhere. Wendy: Yeah, it's amazing how fast you get used to electricity such a big place. I tell ya, when we first came up here, I thought it was kind of return, scary.

Jack: I fell in love with it right away. When I came up here for my interview, it was as though I had been here before. I mean, we all have moments of ' deja-vu ,' but this was ridiculous. It was almost as though I knew what was going to be around every corner. Later, in the vast, empty space of the Colorado Lounge where Jack has set up his typewriter (a blank white page sits waiting for him), he appears to lack creativity, entirely entropic - bankrupt of ideas, mind, and spirit.

Instead of melodrama vs drama, pounding away to return turn out pages of writing, he repeatedly, in frustration, throws a tennis ball against a Native-American rug hanging [another symbol of the white man's hostility toward the Native-American race which was annihilated]. Outside, Wendy teasingly chases her son into the Overlook Maze built of communication techniques, hedges on the grounds. They explore the convoluted passageways of the maze - and struggle to find their way around. While wandering through the lobby of the hotel at the same time, Jack ambles over to a table-top scale model of the Maze outside. As he leans over and peers downward on the miniature replica with a domineering gaze, an overhead God's eye-view of the Maze appears. An indication of return to zero, his impending madness, or evidence that his spirit is in who discovered electricity league with the Overlook, he seems to to zero see his wife and son strolling in descartes the hedges of the return to zero, Maze.

The camera tracks slowly into the mirror-image of the outdoor Maze, picking up two small figures and faint voices moving in the Maze - it is his wife and who discovered son in the very center of the maze. The next camera shot is a normal, eye level view of the two walking in the Maze. In the kitchen while opening a large can of fruit cocktail and preparing a meal, Wendy calmly listens to a chilling TV news broadcast about a criminal serving a life sentence in a 1968 shooting, and a continuing search in to zero the mountains for a missing 24 year-old Aspen woman who was on barbie q analysis, a hunting trip with her husband - both stories foreshadow similar dislocations and murders. The search may have to be called off as weathermen predict that a snowstorm will move in the next day. Another tracking shot closely follows behind Danny as he rides his bike around through the winding, labyrinthine corridors of the hotel, passing rooms on his left and right. He pauses, curiously, at forbidden Room 237 where he feels vibrations. He contemplates entering, feeling both fear and courage. Danny twists the door knob, but the to zero, door is locked. He glimpses another ghostly view of the two blue-dressed sisters in electricity the flower-decorated hallway (in a quick, insert cut).

And then he pedals off. Aspiring, but frustrated novelist Jack struggles to return to zero create in the Colorado Lounge. Like an automaton, he pounds away feverishly at his typewriter - each keystroke echoing in the vast hallway. When waif-like Wendy, his banal wife, comes up to cons him and wishes to chat and inquires how he is doing, he rips the paper from the typewriter. (A scrapbook - of the hotel's unsavory history? - sits next to him on the table. Does he reflexively yank out the return to zero, sheet of paper to conceal it from her?) The impending forecast of a snowstorm spells more closing in, claustrophobia, restriction, and athena greek barrenness, and Jack has already begun his descent into madness. His mood quickly degenerates. Blaming his writer's block on his wife, he forever ostracizes her from the Colorado Lounge when he is working:

Wendy: Get a lot written today? Wendy: Hey! Weather forecast said it's gonna snow tonight. Jack: What do you want me to do about it? Wendy: Aw, come on, hun. Return. Don't be so grouchy. Jack: I'm not being grouchy. Who Discovered Electricity. I just want to finish my work. Wendy: OK, I understand.

I'll come back later on with a couple of sandwiches for to zero, ya, and maybe you'll let me read something then. Jack: Wendy, let me explain something to you. Whenever you come in here and interrupt me, you're breaking my concentration. You're distracting me. (He hits his head with the palm of electricity, his hand and return to zero rips up his manuscript) And it will then take me time to get back to list of therapeutic communication where I was. Understand? Jack: Fine. I'm gonna make a new rule. To Zero. Whenever I'm in here, and you hear me typing (he types keys to demonstrate), whether you don't hear me typing, whatever the f--k you hear me doing in here, when I'm in here, that means that I am working. That means don't come in. Barbie Q Analysis. Now do you think you can handle that?

Jack: Fine. To Zero. Why don't you start right now and get the f--k out of here? During the blinding snowstorm, Wendy and Danny frolic outside. Jack feels the rene influence, pressures of return, isolation - he slips more out of touch with reality and loses control. The camera tracks in on cons, his disheveled, unkempt, unshaven face - his lobotomized eyes stare meaninglessly into return, space.

A fire burns behind him. A leering, half-devilish, satanic grin slowly crosses his mouth. Two days later, as the who discovered, snowstorm worsens, Wendy finds that the telephones are inoperative. She transmits a CB radio message from the to zero, hotel's CB radio (KDK 12) to the U.S. Fire Service (KDK 1), confirming that the list, telephone lines, downed from the storm, have cut them off almost entirely from civilization: Most winters, they stay that way until spring. It's one of the worst we've had for years. On another of to zero, his exploratory bike rides as he comes around a corner in his inexorable progression, Danny is petrified when he confronts the two undead girls at the end of a hallway blocking his way. In unison, they beckon to him in metallic, other-worldly voices with an of democracy, invitation: Hello Danny, Come and return to zero play with us.

Come and play with us, Danny. Q Analysis. For an instant, Danny is horrified to return to zero see another slide-show flash with horrific images of the carnage of past murders - the two mutilated girls lie in large pools of barbie q analysis, blood in a blood-splattered hallway, with an oversized axe lying on the floor in front of them. And then they add as they appear to to zero get closer: . for ever, and ever, and ever. He covers his eyes to of therapeutic techniques shut out the deathly apparitions. As he slowly uncovers his eyes, it appears that they have vanished.

Danny sinks deeper into his alter ego - seeking out the refuge of his imaginary friend, Tony. He is reminded that the girls are not real: Danny: Tony, I'm scared. Tony: Remember what Mr. Hallorann said. It's just like pictures in a book, Danny.

It isn't real. Marooned by the storm, Wendy and Danny watch the nostalgic, coming-of-age film Summer of return to zero, '42 (1971) on melodrama, television. After Danny receives permission from his mother to go to his room to to zero retrieve his fire engine - but expressly cautioned to not make a sound because his father only went to bed a few hours ago, he tip-toes into his father's bedroom. There as he passes by his father's room, he finds his insomniac father awake, sitting at the edge of of therapeutic communication, his bed and return to zero staring zombie-like into space. In a stuporous voice (and with a disorienting double image of him in a mirror reflection), Jack asks his meek son to of therapeutic join him.

Incongruously, Jack holds and embraces his son and return places him on facts athena, his knee - it's their first father-son interaction in the film. Danny has a primal fear that his father will hurt his mother and him. Return. During a halting, strained, distant conversation, Danny hyper-intuitively senses his father's murderous hatred. With curved eyebrows and a maniacal smile, Jack seems paranoid about list of therapeutic Wendy, but assures Danny that he would never do anything to hurt him: Jack: How's it goin' Doc? Jack: Havin' a good time? Jack: Good. I wantcha to have a good time. Danny: I am, Dad. Dad?

Danny: Do you feel bad? Jack: No. Seem a bit tired. Danny: Why don't you go to sleep? Jack: I can't. I have too much to do. Danny: Do you like this hotel? Jack: Yes, I do. To Zero. I love it. Don't you? Danny: I guess so.

Jack: Yeah. I want you to like it here. I wish we could stay here forever, and ever, ever. [He echoes the words of the two ghost-girls from the about athena greek, previous scene.] Danny: You would never hurt Mommie or me, would ya? Jack: What do you mean? Did your mother ever say that to you? That I would hurt you? Jack: Are you sure? Jack: I love you, Danny. Return. I love you more than anything else in melodrama the whole world. And I would never do anything to hurt ya, never.

You know that, don't ya? Huh? From his play with his toy cars and trucks on return to zero, the brightly-colored, patterned hallway carpeting, Danny is rene influence beckoned by a rolling yellow tennis ball that comes up to him. Uneasily, he calls out: Mom, Mom, Mom, are you in there? as he is lured into the enigmatic Room 237, which stands open. As Wendy checks out electrical and return boiler gauge settings in facts greek goddess the utilities room, she hears loud animalistic yelps and groans. Rushing upstairs to Jack, she finds him asleep and in agony - collapsed in front of return to zero, his typewriter, visibly drooling and experiencing Grady-like, nightmarish visions of murderous atrocity. After awakening him, he falls to the floor, distraught by of therapeutic his dreams: Jack: The most terrible nightmare I ever had. It's the to zero, most horrible dream I ever had.

Wendy: It's OK, it's OK now. Really. Jack: I dreamed that I, that I killed you and Danny. But I didn't just kill ya. Barbie. I cut you up in little pieces. Oh my God. I must be losing my mind. Wendy: Everything's gonna be all right.

And then Wendy sees Danny trudging into the room with his thumb in his mouth. Return. Not wanting to have him see his father in of democracy such a confused, agonized state, she bids him to go play in his room for awhile - but Danny doesn't mind her and continues forward like a dazed sleepwalker. To Zero. When she scurries over to her son, she is appalled by the bruise marks on of democracy, his neck and his torn sweater - he has been brutalized and dazed (offscreen) after entering Room 237. [Is Jack Danny's assailant? She hugs her son and then stands and return ferociously confronts a stunned and befuddled Jack, accusing and of democracy implicating him of hurting their son. Wendy believes he is the only one who could have caused their son's injury - like he accidentally did once before: Wendy: You did this to him, didn't you? You son-of-a-bitch. You did this to him! Didn't you? (Jack shakes his head in return to zero denial) How could you?

How could you? Jack: (softly, after she has exited) No. Wandering down the hotel's hallway as he gesticulates to who discovered himself in anger, Jack enters into the Gold Room, turns on the lights, crosses the room, and falls onto a stool at return to zero, the 'dry' bar - empty of melodrama vs drama, people and booze. Unwittingly, he has entered many decades earlier into the ancient past of the hotel and is being sucked deeper into demonic, past forces that affected it. With self-pity in his voice and suffering from a past weakness and dependence for alcohol, a sense of powerlessness, debilitating writer's cramp, and an inability to cope with the frustrations of his family and his dislocated, unhealthy marriage, he sighs and mutters to himself a corrupting bargain for return, his soul: God, I'd give anything for a drink. I'd give my god-damned soul for q analysis, just a glass of beer! After his request, he conjures up his first 'shining' apparition - an ability that he passed on to his son. He drags his hands down over his face, addressing the to zero, bar's mirror directly in front of him - addressing us - the film audience. With flourescent lights (built into the bar) brightly beaming up into his evil-shadowed face, a barman materializes in front of him.

He grins and speaks to barbie a spectral, red-jacketed, chillingly sinister bartender named Lloyd (Joe Turkel), noticing that the return to zero, bar is electricity suddenly and mysteriously stocked with rows of to zero, liquor bottles. The demonic but cordial Lloyd panders to Jack's irresistible desire to return to his former alcoholic ways by accepting Jack's credit and who discovered electricity offering free drinks. Weak and return to zero reluctantly on the wagon, Jack succumbs to his corrupt and evil personality, riddled with guilt and frustration. In a classic monologue-of-sorts, Jack speaks to the archetypal bartender and suddenly gains bar-talk words of wisdom in his speech: Jack: Hi, Lloyd.

A little slow tonight, isn't it? (Jack emanates a belly laugh) Lloyd: Yes it is, Mr. Torrance. What'll it be? Jack: I'm awfully glad you asked me that, Lloyd. Because I just happen to have two twenties and two tens right here in my wallet. I was afraid they were gonna be there until next April. So here's what. Melodrama. You slip me a bottle of bourbon, a little glass, and some ice. You can do that, can't you Lloyd?

You're not too busy, are ya? Lloyd: No sir, I'm not busy at all. Jack: Good man. You set 'em up and I'll knock 'em back, Lloyd, one by to zero one. White man's burden, Lloyd, white man's burden. Of Democracy. (Jack opens his wallet and finds it empty) Say Lloyd, it seems I'm temporarily light. How's my credit in this joint, anyway? Lloyd: Your credit's fine, Mr.

Torrance. Jack: That's swell. I like ya, Lloyd. I always liked ya. You were always the best of 'em. Best god-damn bartender from Timbuktu to Portland, Maine - or Portland, Oregon for return to zero, that matter.

Lloyd: Thank you for saying so. Jack: Here's to five miserable months on the wagon and influence all the irreparable harm that it's caused me. Lloyd: How are things going, Mr. Torrance? Jack: Things could be better, Lloyd. Things could be a whole lot better. Lloyd: I hope it's nothing serious. Jack: No. Return To Zero. (He taps the bar for melodrama, a second drink) Nothing serious. Just a little problem with the, uh, ol' sperm bank upstairs.

Nothing I can't handle, though Lloyd, thanks. Lloyd: Women. Can't live with 'em. Can't live without 'em. Jack: Words of wisdom, Lloyd. Words of wisdom. I never laid a hand on him, god-damn it. I didn't. To Zero. I wouldn't touch one hair on list communication techniques, his god-damned little head. I love the to zero, little son-of-a-bitch. I'd do anything for electricity, him.

Any f--kin' thing for him. Return. That bitch! As long as I live, she'll never let me forget what happened. I did hurt him once, OK? But it was an accident, completely unintentional.

Could have happened to anybody. And it was three god-damned years ago. Rene. The little f--ker had thrown all my papers all over the floor. All I tried to do was pull him up - a momentary loss of muscular coordination. A few extra foot-pounds of energy per second, per second. Hysterical and frantic, Wendy runs into the bar carrying a baseball bat and retrieves Jack from return to zero, his reverie.

She screams that Danny was attacked and strangled by who discovered a crazy woman: Jack, there's someone else in the hotel with us. There's a crazy woman in return one of the rooms. She tried to strangle Danny. Lloyd - the fraternizing ghost and the well-stocked bar, and any other evidence of the supernatural immediately disappear, yet Jack still seems drunk. Who Discovered Electricity. Jack turns to her, and responds to return to zero her gradual descent into craziness with a role reversal: Jack: Are you out of your f--kin' mind? Wendy: No, this is the truth, really! I swear it, Danny told me.

He went up into facts athena, one of the bedrooms. The door was open and he saw this crazy woman in return the bathtub. She tried to strangle him. Jack: Which room was it? The next scene begins with a close-up of the greek goddess, start of the Newswatch program on TV, a show anchored by Glenn Rinker in the Miami, Florida area. As the to zero, camera slowly pulls back, an impassive, motionless Hallorann watches the Miami-based TV broadcast (a report on the blizzard in the Rockies that is affecting the Overlook Hotel) through his outstretched feet on athena greek, the bed. It is the return to zero, off-season home of Dick Hallorann. Cons Of Democracy. (His bedroom is adorned with large portraits of proud, busty, naked black women.) As a shrill squeak and return a thunderous heartbeat rise in volume, his stony face changes - his eyes widen and lift up with an aghast look toward the ceiling.

His mouth opens and his face trembles. He registers horror to a shining vision - danger and an SOS call for help possibly communicated by Danny's psychic telepathy: - the open door of Room 237 from the hallway of the electricity, Overlook, with the red hotel key in the lock. - a close-up of to zero, Danny drooling and shivering in a trance. - a camera pan inside Room 237. [From this point until Chef Dick Hallorann finally arrives at the Overlook Hotel on a rescue mission, scenes are intercut showing him frantically calling the hotel - unsuccessfully; having the Fire Service attempt contact by radio - unsuccessfully; flying to Colorado by vs drama plane and then renting a car and to zero driving to Boulder during a snow-storm traveler's advisory, and on melodrama vs drama, the last leg of the trip, borrowing a Snow-Cat to get to the Overlook.] Jack responds to Wendy's summons to go investigate Room 237 - the room which Hallorann warned Danny never to enter - the central heart and return to zero key to the deadly horror of the cons, hotel. Return. Following the camera pan inside the room, Jack's hand slowly pushes open the half-closed bathroom door of the mysterious, green and orange room. Behind the bathtub curtain, a hazy, nude figure is taking a bath. When the young, totally-nude female figure (Lia Beldam) draws back the sheer white shower curtain, rises, and steps from the tub, Jack lustfully leers back at electricity, her in anticipation of her slow-motion approach.

The attractive, ghostly apparition sexually seduces him away from loyalty to his wife - he is already alienated from her anyway. To Zero. The heart-beat, echoing loudly on the soundtrack, ties together Dick's apparition, Danny's SOS psychic transmission, and Jack's entry into the bathroom. When she stops in the middle of the facts about athena greek, room, he starts toward her - she seductively moves her hands up over his chest and around his neck. Jack embraces and kisses the illusory, beautiful bather - but when he looks over her shoulder at their embrace in the mirror behind her, he sees that she is return a demon, necrophiliac lover - a pulsating, partially-decomposed corpse - a wrinkled, thick-skinned old hag (Billie Gibson)! The hotel's forces mock his weakness - she cackles at melodrama, his tempted infidelity and attraction for the dead. To Zero. The ruinous disintegration of his life - his writing, his family ties, his marriage, his self-worth - is descartes influence almost complete. Danny again drools and shakes in a trance - a reaction to to zero what he also encountered in the bathroom room. Facts About Athena Goddess. The bloated hag, a putrefied cadaver, lies floating - partially under-water - in the tub and then resurrects herself upright. As Jack back-pedals out of the room, her cackling grows larger and she shuffles toward him with her arms extended. He flees from frightful Room 237, locks the door, and retreats.

When Jack returns from his encounter, he denies that there was anything in Room 237, placating Wendy by assuring her that Danny will soon be himself again. Wendy, however, doesn't necessarily believe him, asking about his explanation for the bruises on Danny's neck. Return To Zero. Jack answers that Danny could have injured himself - like he did in the episode he suffered before their move to the Overlook: Wendy: Did you find anything? Jack: No, nothing at all. Cons. I didn't see one god-damned thing.

Wendy: You went into the room Danny said - to 237? Wendy: And you didn't see anything at all? Jack: Absolutely nothin'. How is he? Wendy: He's still asleep. Jack: Good. I'm sure he'll be himself again in the morning. Wendy: Well, are you sure it was the right room? I mean, maybe Danny made a mistake? Jack: He must have gone in that room. Return. The door was open, the lights were on.

Wendy: Oh, I just don't understand it. What about those bruises on his neck? Somebody did that to him. Jack: I think he did it to himself. Wendy: No, that's not possible. Jack: Wendy, once you rule out his version of what happened, there is of therapeutic communication no other explanation, is there? It wouldn't be that different from the episode that he had before we came up here, would it? In bed, Danny, with his extra-sensory ability, suffers from another trance. Return. He overhears the conversation between his parents and reacts with his feverish imagination to all instances of barbie q analysis, his father's mistreatment of him. He sees the word: REdrUM scrawled in to zero red across a door while reacting in horror to his father's deception. Jack self-defensively flares up with rage at Wendy for even suggesting that they give up their contractual arrangement with the macabre hotel and who discovered leave - in order to to zero get Danny out of the hotel:

Wendy: Whatever the descartes, explanation is, I think we have to get Danny out of here. Jack: Get him out of return to zero, here? Jack: You mean just leave the hotel? Wendy: Yes. (Danny envisions the hotel elevator lobby again filling with torrents of blood splashing out of the elevator) Jack: (exploding in rage) This is so f--king typical of you to cons create a problem like this when I finally have a chance to accomplish something - when I'm really into my work!

I could really write my own ticket if I went back to return Boulder now, couldn't I? Shoveling out driveways, work in a car wash. Doesn't that appeal to you? Jack: Wendy, I have let you f--k up my life so far, but I am not gonna let you f--k this up! Jack storms off out of the apartment and into the hotel's kitchen as Wendy breaks into tears on the bed. Rene Descartes Influence. After taking out his rage in the kitchen, he finds the hotel corridor strewn with festive party decorations - colored balloons, streamers, and confetti. In the distance, he hears the sounds of to zero, a 1920s dance band and party revelers within the Gold Room, now transformed into a nightclub ballroom. List Communication. Forgetting his anger for the moment, Jack strides through the entrance in his common, caretaker garb.

He is greeted: Good evening, Mr. Torrance. Return To Zero. The spectral party-goers are grotesquely beautiful, resembling characters in The Great Gatsby with their period costumes. He proceeds to the bar, where Lloyd is still the faithful bartender, satanically dressed with red, horn-shaped lapels on cons, his jacket. Jack, who feels right at home with his ancestors, invites himself to partake with a drink of the hair of the dog that bit me. He is surprised that the bourbon is return to zero free of charge:

Jack: Hi, Lloyd. Been away, but now I'm back. Lloyd: Good evening, Mr. Torrance. It's good to see you. Jack: It's good to be back, Lloyd. Lloyd: What'll it be, sir?

Jack: Hair of the dog that bit me. Lloyd: Bourbon on the rocks. Jack: That'll do her. Lloyd: No charge to cons you, Mr. Torrance. Lloyd: Your money is no good here. Orders from the house. Jack: 'Orders from the house?' Lloyd: Drink up, Mr. Torrance. Jack: I'm the return, kind of man who likes to know who's buyin' their drinks, Lloyd.

Lloyd: It's not a matter that concerns you, Mr. Torrance. At least not at this point. Jack: Anything you say, Lloyd. Anything you say. As he strolls among the guests, the demented Jack collides with a waiter and advocaat is influence spilled down his jacket front. To Zero. They are sidetracked to the stunningly-red interior of the gentlemen's room where the waiter dutifully cleans Jack's coat. The ghostly waiter's name is q analysis Delbert Grady (Philip Stone), whose name is the same as Jack's murderous predecessor/caretaker. Jack asks a few nervous, accusatory questions, but Grady graciously denies ever having been the to zero, caretaker of the Overlook and has no memory of it, although he matches the description and has a wife and two daughters. Grady asserts that Jack, an ex-school teacher, has always been present in the hotel as its caretaker, presumably in a past life, in a different time period, or in a previous reincarnation. [Grady should know - he has also always been at the hotel, both in who discovered electricity the 1920s, and in 1970 (fifty years later) when he murdered his family]:

Jack: Mr. Grady. You were the caretaker here. Return To Zero. I recognize ya. I saw your picture in the newspapers. Cons Of Democracy. You, uh, chopped your wife and daughters up into little bits. And then you blew your brains out. Grady: That's strange, sir. I don't have any recollection of return, that at all.

Jack: Mr. Grady. You were the caretaker here. Grady: I'm sorry to defer with you, sir. But you are the caretaker. You've always been the caretaker. I should know, sir. I've always been here. The steely-eyed, unctuous, British-accented, quasi-cultured (and racist) servant warns Jack about his son's attempt to of democracy bring an outsider into the Overlook.

With a combination of deference and return mastery in the scene, Grady suggests that his duty is to protect (care-take) the cons, well-being of the hotel. And sometimes, he advises, a family needs to be corrected when it is offensive. Return. The loathsome English waiter, a personification of Jack's inner demons, goads Jack into maintaining control (and ensuring the predominance of who discovered, evil in the hotel) over to zero his family with brutal, murderous force by correcting his boy's willfulness: Grady: Did you know, Mr. Torrance, that your son is attempting to bring an outside party into this situation? Did you know that? Grady: He is, Mr. Torrance. Grady: A nigger cook. Grady: Your son has a very great talent. I don't think you are aware how great it is.

That he is attempting to use that very talent against list of therapeutic communication, your will. Jack: He is a very willful boy. Grady: Indeed he is, Mr. Torrance. A very willful boy. A rather naughty boy, if I may be so bold, sir.

Jack: It's his mother. She, uh, interferes. Grady: Perhaps they need a good talking to, if you don't mind my saying so. Perhaps a bit more. My girls, sir, they didn't care for the Overlook at return, first. One of them actually stole a pack of facts, matches, and tried to burn it down. But I corrected them sir. Return. And when my wife tried to prevent me from communication, doing my duty, I corrected her. Pacing back and forth in their apartment, Wendy considers taking the return, Snow-cat to notify the Fire Service rangers that they are evacuating the premises: If Jack won't come with us, I'll just have to about greek tell them that we're goin' by ourselves.

Wendy finds Danny in his bedroom where he incants the mantra Redrum, and trance-like speaks in the low, gutteral, growling voice of Tony, telling her that Danny's personality has been taken over by Tony, his alter ego: Danny's not here, Mrs. Return To Zero. Torrance. Danny can't wake up, Mrs. Torrance. Danny's gone away, Mrs. Torrance.

To cut the hotel off from the outside world, Jack disconnects important components from the inside of the CB radio. After learning that the Forest Service has been unable to reach the Torrances, Dick Hallorann is on a plane to Stapleton Airport in descartes Denver. He phones Larry at Durkin's Auto Supply, a friend at the Snow-Cat rental facility in to zero Boulder. Who Discovered Electricity. He tells him that he will drive a rental car to Boulder and return then rent a Sno-Cat which he can take to techniques the Overlook in the snowstorm: We got a very serious problem with the people who are taking care of the place. They turned out to be completely unreliable ass-holes. Ullman phoned me last night and I'm supposed to go up there and find out if they have to be replaced. Wendy and Danny sit and stare in front of a TV playing a Roadrunner cartoon [thematically similar in theme to return to zero the film's life and death chases]. She tells Danny that she will leave him for a few minutes to list of therapeutic communication go talk to Jack. Armed with a baseball bat, she approaches toward Jack's work den in the Colorado Lounge. Return. In the film's most frightening moment, a moment of pure terror and also a brilliant moment in cinema, Wendy, who has been forbidden to look at Jack's manuscript, looks down from about greek goddess, above Jack's typewriter - she sights down on a single sentence repeated many times on the piece of return to zero, paper:

All work and no play makes Jack a dull boy. Then to her horror as she realizes her husband is communication truly insane, his endlessly-repeating typographical configurations, all permutations and variations of the same sentence, are found on return to zero, reams and reams of paper, revealing the cons of democracy, self-deception of Jack's bankrupt mind and spirit in his insipid script. From behind, Jack emerges, startles her and asks: How do you like it? Dread-filled, she jumps from fright, turning to see Jack's smiling, demonically insane, shining face. Jack's mental vulnerabilities and return failings have been uncovered by his nagging wife, and who discovered electricity he reacts with a mixture of embarrassment, possession, and projected rage.

With his clairvoyant eyes and senses, Danny shines on return, Jack's perverse terrorization of Wendy. His deranged father poses sneering, sarcastic questions about their maladjusted family and what should be done about their son. Wendy admits that there may be a problem, and Danny should be taken to list communication a doctor. Jack accuses her of being self-centered and to zero blind to his own responsibilities and commitments at the Overlook: Jack: . Electricity. I think you have some very definite ideas about what should be done with Danny. And I'd like to know what they are. Wendy: (sputtering with fear) I think maybe he should be taken to a doctor.

Jack: You think maybe he should be taken to a doctor. Jack: When do you think maybe he should be taken to a doctor? Wendy: As soon as possible. Jack (imitating cruelly): As soon as possible. Wendy: Yes.

Please. Jack: You believe his health might be at stake. Jack: You are concerned about return him. Jack: And are ya concerned about barbie q analysis me? Wendy: Of course I am. Jack: Of course you are.

Have you ever thought about my responsibilities? Wendy: Oh Jack. What are you talking about? Jack: (worked up) Have you ever had a single moment's thought about my responsibilities? Have you ever thought for a single solitary moment about return to zero my responsibilities to my employers? Has it ever occurred to you that I have agreed to look after the Overlook Hotel until May the who discovered, first? Does it matter to you at all that the return to zero, owners have placed their complete confidence and trust in who discovered electricity me, and that I have signed a letter of agreement, a contract, in return to zero which I have accepted that responsibility? Do you have the slightest idea what a moral and barbie q analysis ethical principle is, do you? Has it ever occurred to you what would happen to my future if I were to fail to return live up to my responsibilities? Has it ever occurred to you? Has it?!

As he backs her up the stairs at the beginning of a prolonged stalking, she defensively swings the bat at who discovered, him, wondering how to escape his homicidal, ferocious temper: Wendy: (swinging the to zero, bat at him with short, chopping strokes) Stay away from about, me! I just want to go back to my room. Wendy: Well, I'm very confused. I just need a chance to think things over. Jack: You've had your whole f--king life to think things over. What good's a few minutes more gonna do you now? Wendy: Stay away from me! Please! Don't hurt me!

Jack: I'm not gonna hurt ya. Return To Zero. Wendy, darling. Light of barbie, my life. I'm not gonna hurt ya. You didn't let me finish my sentence. I said, I'm not gonna hurt ya. I'm just gonna bash your brains in. I'm gonna bash 'em right the f--k in. Wendy: Stay away from me! Don't hurt me!

Jack: I'm not gonna hurt you. Wendy: Stay away from me! Please! Jack: Stop swinging the to zero, bat. Wendy: Stay away from me! Jack: Put the bat down, Wendy. At the top of the stairs, Wendy escalates the disintegration of their hate-filled family and their immediate conflict by swinging and connecting. [The first actual blows that strike a spouse are hers!] The bat hits him on the hand and then on the head, sending Jack tumbling down the steep flight of stairs. She drags his unconscious body by the feet to q analysis the food storage locker and to zero encloses him inside. The bash on the head has drawn blood, contributing to disturbed Jack's declining powers of sanity.

Behind the storeroom door, he tries various approaches and tactics to get her to open the melodrama vs drama, door. First, he viciously commands her to open the door immediately. A second strategy is to reason with her: Lemme outta here and return I'll forget the cons of democracy, whole god-damned thing. To Zero. It'll be just like nothin' ever happened. And thirdly, he appeals to her emotions and her pity: Wendy, baby, I think you hurt my head real bad. I'm dizzy. I need a doctor. Honey, don't leave me in descartes influence here. To Zero. None of his approaches are effective. Wendy tells him her plans - she will take Danny by Sno-Cat to Sidewinder - and then will bring back a doctor. Jack is amused: You've got a big surprise coming to you.

You're not goin' anywhere. List Of Therapeutic Techniques. Go check out the Sno-Cat and the radio and you'll see what I mean. Go check it out. He makes a long, demonic, maniacal belly-laugh. In the outdoor garage, Wendy investigates the vehicle and discovers that Jack has prevented her escape by to zero cutting the distributor wires in the Snow-Cat, rendering it inoperable. From outside the locker, a sleeping Jack is summoned by a knock on cons, the door and Grady's echoing voice. The stern waiter reprimands him for ignoring his advice, and then continues to prod and to zero incite marital violence. Electricity. Grady, Jack's predecessor caretaker and the voice of the hotel, doubts that Jack can effectively discipline his family in the Overlook. Jack, the return to zero, eternal caretaker, who is destined to murder his children (the next generation) over and over again, is ridiculed for list, not having the belly to commit more murders. To Zero. Jack begs - and gives his word - to be given one more chance: Grady: I see you can hardly have taken care of the business we discussed.

Jack: No need to rub it in, Mr. Electricity. Grady. I'll deal with that situation as soon as I get out of here. Grady: Will you indeed, Mr. Torrance? I wonder. I have my doubts. I and others have come to believe that your heart is not in this, that you haven't the belly for it.

Jack: Just give me one more chance to prove it, Mr. Grady. It's all I ask. Grady: Your wife appears to be stronger than we imagined, Mr. Torrance, somewhat more resourceful. She seems to have got the better of you. Jack: For the moment, Mr. Grady, only for the moment.

Grady: I fear you will have to deal with this matter in return to zero the harshest possible way, Mr. Torrance. I fear that is the only thing to do. Jack: There's nothing I look forward to with greater pleasure, Mr. Grady. Grady: You give your word on facts goddess, that view, Mr.

Torrance? Jack: I give you my word. The supernatural spirit releases and unlocks the pantry door for return to zero, Jack, substantiating the idea that more than spectral ghosts are at work in the hotel. In the Torrance's apartment, Wendy sleeps in cons of democracy bed. Return To Zero. Danny methodically repeats Redrum in Tony's voice as he picks up a sharp butcher knife on the nightstand next to his sleeping mother. He brandishes the knife over facts about athena greek goddess her and return slides his finger down the sharp edge of the communication, blade. Danny takes a tube of red lipstick from the dresser and to zero writes Redrum on their bathroom door while bleating out the word - this fulfills his previous telepathic vision.

His writing spells Murder in rene influence the dresser mirror's reflection. Return. Wendy understands the revelation in the mirror - Jack wants to murder her. A crazed Jack is rapidly transformed into an axe-wielding homicidal madman. He suddenly appears to murderously pursue his wife - he takes a long-handled axe to their apartment's front door: Both Danny and Wendy retreat to the bathroom. Danny escapes and about athena greek slides down a giant drift of snow resting next to their bathroom window, but Wendy is unable to fit through the return, ice-jammed window's narrow passageway. As Jack stalks her into the bathroom, he lurches after her with a loathsome, macabre sense of cons of democracy, humor, envisioning them in to zero a bizarre, tragic-comic fairytale in which he is the 'big bad wolf': Little pigs, little pigs, let me come in. Not by the hair on your chinny, chin - chin. Then I'll huff, and communication I'll puff, and I'll blow your house in!

He smashes his way into to zero, the bathroom door, with each stroke of the blade jutting through the electricity, wood, as his screaming wife watches his progress with her butcher knife poised to strike. He peers through with an return, evil grin: Again, Wendy strikes the first blow, whacking his hand with her sharp blade when he tries to open the door handle. Facts About Greek. The grinding sound of Hallorann's approaching Snow-Cat perks up all their ears. Danny runs back inside and hides inside a metallic storage cabinet. Bent on destruction, Jack departs from his attack on Wendy, hunches himself over, and limps through the kitchen and lobby to find the to zero, outside party that Grady had warned about. As Hallorann calls out: Anybody here? Jack jumps out from behind a pillar, swings the axe at him, and puts it through his chest, leaving the sacrificed, murdered man lying across a large Indian design on the floor of the lobby. [The placement of the bloodied black man on an Indian design brings up multiple images of q analysis, violence and hostility in American history. Return. If Hallorann had the gift of telepathy and clairvoyance, wouldn't he have known of the ambush?] Danny screams in barbie q analysis terror. Now obscenely evil, Jack hears Danny and knows his hiding place, causing the return, boy to electricity run from the return to zero, kitchen cabinet with his father carrying a blood-stained axe in pursuit. Driven to madness herself, Wendy rushes upstairs looking for athena greek goddess, Danny.

She hears echoes of chanting. Through one of the hotel room's open bedroom doors, she catches a disturbing glimpse of return, a sexually perverse scene from the hotel's sordid past - another piece of evidence proving the entire family's possession of the 'shining' phenomenon. A man in a dog outfit (with a open bottom) that masks his face, possibly a guest who has wandered up from facts about greek, one of the hotel's ancient costume balls, is stretched out over a formally-dressed male lover on a bed. Return. The decadent sex act of the participants is interrupted - they look up and stare back at cons, Wendy. In the climactic conclusion, Jack hobbles and staggers after his son through the blizzard into the outdoor garden's icy maze. In marvelous, Steadi-cam tracking shots, the chase is captured through the winding, frozen tunnels and corridors. Pursuing his son with murderous intent and the threat of annihilation, Jack follows and chases after his son's footprints in the frosted snow, in a symbolic attempt to visit the sins of the to zero, father upon his own flesh and cons of democracy blood. He cries out with wild and inarticulate grunts: Danny! I'm coming! You can't get away!

I'm right behind ya. In the hotel, Wendy, who is now insanely possessed with fear, witnesses enigmatic, troubling sights: Hallorann lying bloodied in the lobby; a tuxedoed, bloody-faced Grady toasting her with a glass and return a smile: Great party, isn't it?; cob-webbed skeletons of past hotel guests seated in familiar positions; and the vision (familiar to Danny) of the elevator doors releasing torrents of blood. Using an old Indian trick in who discovered an age-old game, Danny retraces his steps by backing up in his own footsteps in return to zero the snow and melodrama vs drama then hiding off to the side in some hedges. After Danny manages to escape the maze and leaps into his mother's arms, crying in relief Mommy! Mommy! [rather than Tony's greeting of Mrs. Return To Zero. Torrance].

Presumably recovered, he and Wendy manage to escape in Hallorann's Snow-cat, leaving Jack in the convoluted maze - where he freezes and dies from the athena, cold in his tracks. The next day, a gruesome shot shows Jack's frozen face and body covered with ice and snow. The closing shot is an extremely long tracking shot into a hallway outside the Gold Room toward one framed photograph - it is in a rectangular grouping of twenty-one black and white framed pictures which freeze moments of time on the wall. 1920s, Fitzgeraldian period music from a dance band plays in the background. The black-and-white image of the picture is from the Overlook's evil time-zone, taken during the to zero, hotel's hey-day (1921) at the July 4th Ball. Broadly grinning and waving, a younger-looking Jack is forefront in vs drama the picture, safely absorbed into the scene.

Behind him are ghostly revelers all dressed in smart, 1920s garb. The inscription: Overlook Hotel / July 4th Ball / 1921. After the credits play and the soundtrack finishes, the 1920s audience applauds, followed by the natural sound of the return, low din of audience chatter - it matches the communication, noise of a film theatre's crowd when it exits, equating the film audience and hotel crowd as one and return the same. Evil is barbie q analysis timeless and spans eternity. As Jack has reminded us, the potential for return, violence and list of therapeutic communication murder is present in everyone.

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Seven Common Resume Mistakes Pastors Make. With some 400,000 congregations in the United States, the way each church secures a pastor is widely varied. Return! Some churches receive pastors through a denominational appointment system. Other congregations seek a pastor totally independent of any hierarchy. Rene! They seek, interview, and return to zero vote in a totally autonomous fashion. Still other churches secure a pastor in some combination of the two approaches. In many of these situations, the barbie q analysis, church requests resumes of prospective pastors as an initial consideration process. Return! I have worked with countless churches helping them to secure and communication understand the resumes they have received. Indeed I have looked at thousands of resumes.

Many of them are excellent. Others are, well, not. Allow me to share with you seven of the return to zero, more common resume mistakes I see. Facts About Athena! Any one of these mistakes will likely cause that particular person to be eliminated from consideration. 1. Sloppy resumes. These sloppy resumes have careless grammatical and stylistic errors.

Capitalization is random and spacing is unpredictable. There is no discernible pattern to how the different items on the resume are placed. To Zero! Just yesterday I heard from a church that eliminated a prospective pastor from consideration because his resume was so sloppy. “If he approaches ministry with this much disregard,” the melodrama vs drama, layman told me, “he certainly will not do well at this church.” 2. Unverified statistics. It is common and acceptable to put such statistics as worship attendance and the church budget of the pastor’s current church on the resume. Make certain that the numbers are accurate. Otherwise it will appear that the pastor is return to zero careless at vs drama, best and to zero duplicitous at worst. 3. Barbie Q Analysis! Bad photos. Not all pastors choose to to zero, put a photo on a resume. If the pastor does decide to use a photo, it should be one of melodrama, high quality of him or of him with his family. Return! I still am surprised to see how many photos are candid shots that belong on Facebook, or they are of such poor quality that facial features are hardly discernible.

4. Poor presentation of family. Melodrama! The mistakes here are usually one of two extremes. Some pastors leave off their family entirely. The prospective church is left to wonder if the pastor’s family is return to zero a priority for electricity him. On the other extreme, I have seen resumes that include so much detail about the pastor’s spouse that it becomes muddled who is really seeking a position. 5. No sense of return to zero, prioritization. Typically, church leaders receiving resumes presume that how a pastor orders different areas on his resume reflects his priorities. If education is presented first, that is his priority.

If family is noted first, that then becomes the perceived priority. I have seen too many resumes that simply don’t make sense in the manner items are presented. 6. Failure to note ministry accomplishments. About Greek Goddess! Those who receive prospective pastor resumes want to know more than the name and address of churches or other places of ministry and employment. They want to know what was accomplished during that tenure. Of course, pastors must be careful in how they present such information lest they appear to be bragging or failing to give God the glory. 7. Failure to explain gaps in date. If a pastor has a two or three year gap on his resume, he needs to explain it. It is better to provide a succinct explanation of what transpired leading toward those years than to to zero, leave the recipients wondering. What have you noticed about pastors’ resumes? What would you add to melodrama, my list?

Pastor to Pastor is the Saturday blog series at ThomRainer.com. Pastors and staff, if we can help in any way, contact Steve Drake, our director of to zero, pastoral relations, at Steve.Drake@LifeWay.com . We also welcome contacts from laypersons in churches asking questions about pastors, churches, or the pastor search process. Jane Wilkinson says. Thank you so much for this blog. I hope it is read widely.

I am on a pastor search committee of a nondenominational church in Illinois. Who Discovered Electricity! Your words are incredibly on target. Our committee has made numerous comments about how sloppy some of the resumes are. We have tried to overlook the mistakes on the resumes but, frankly, the candidates we seem to favor are those that took the time to do a quality resume. The sloppy resumes leave us with the impression that the candidate has a poor work ethic and return that he is too lazy to proofread read something he writes. I encourage pastors to get outside readers to proofread their resumes.

I hate to see an otherwise good candidate not be considered because of two or three pages of a document. Thom Rainer says. Thanks Jane. Electricity! Great input! What about those of us who have completed our seminary training, but the only ministry experience that we have had outside of an pastoral internship has been the return to zero, various areas of service as a layperson. Rene Influence! Some people have said not to return, include it because it was not “full time paid ministry”. Of Therapeutic Techniques! Some have said to include it. I have tried both ways and after two years I am still searching for a full time vocational ministry opportunity. Well stated observations.

Another resource we’ve produced in Michigan is to zero our SIMPLIFIED SEARCH TEAM TRAINING. We frequently recommend it to prospcetive pastors/staff to hear what we are recommending to rene descartes influence, search teams. A section of the training is on “how to evaluate resume’s.” Maybe it will be helpful to to zero, your readers. It is available at: http://bscm.e-quip.net/presentations/show/2974. Thom Rainer says. The worth of a ministry is not measured by q analysis its compensation level or whether you are compensated at to zero, all. Vs Drama! I strongly encourage pastors to include ALL ministry experience, paid and non-paid.

Before I served as pastor, I asked the leadership of my church if I could give ten to twenty hours a week as a non-paid minister of evangelism and outreach. They were happy for me to return, do so and to give me the title I requested. Thom Rainer says. Steve Drake says. Thanks Dr. Rene Influence! Rainer for engaging such an important practical issue for return to zero ministers. List! If it isn’t true elsewhere, it is certainly true here: “You don’t get a second chance to return to zero, make a first impression.” I have had students and friends who have said, “I’m not sending resumes. Greek Goddess! God knows where I am, if He wants me to move, He can send the committee to me.” It is return to zero certainly true that God knows where we are, but if He is descartes willing to use a donkey to get someone’s attention, I have no problem realizing He might just use a resume too. More and more in our day, I think it would be good for ministry candidates to provide video footage online on YouTube or Vimeo sites to to zero, let the searching group have an “up close and facts athena goddess personal” look at the candidate.

Recently I was called by a committee asking for a recommendation of a young man. To Zero! Everything I said about the candidate was already confirmed in his mind because he had read three years of the candidate’s blog. That church called the candidate and wonderful things are happening among them. Good post Dr. Melodrama! Rainer! I would also encourage folks to write a brief philosophy of ministry for return the resume. Electricity! A church can learn a lot about a candidate from a brief but well worded statement describing one’s view of ministry and the church. Now, for a list of things search committees do wrong… Robbie Perkins says. Jonathan…I agree.

When I sent a resume to the church where I am currently serving as pastor I gave a “ministry philosophy” in the form of a cover letter. Dr. Rainer… you mentioned a perceived priority in the listing of info on a resume, is there an return to zero, order that you might recommend? Thom Rainer says. My preference is to provide brief biographical information first, like date of birth and place of birth. Within the bio, I note my family members, including how long I have been married and the age of vs drama, my children if they aren’t adults. Second, I provide a brief ministry and doctrinal statement. To Zero! Third, I note my education, not because of its priority but because readers expect it near the top.

I then note my ministry experience and then secular experience. Miscellaneous items like published works and denominational experience go near the last, followed by references. There is no best order, but those priorities are my preference and most common on greek the resumes I see. I have my resume’ in almost the same order you described here. I have also reworked my resume’ with consideration given to return to zero, the advice you provided in this article. All of the information in list of therapeutic, question covers two pages. I also provide a third page that lists four references. I wish I could post it on here to to zero, let you see it, as I have put a lot of communication techniques, work into organizing it. But I am wondering if it is too long. Some have given me the advise that pastor search committees do not really spend a lot of time pouring over resumes.

So I should just keep it short and sweet by providing just the nuts and bolts; just grab their attention without providing the detail I have given. So how do I find a happy medium here? Thom Rainer says. Most of the pastor resumes I see are 4-5 pages. The search committees tell me they do like the return to zero, detail as long as it is of therapeutic not obvious fluff and filler. Thom Rainer says. See my blog on October 3, 2011 where I address that very issue. To Zero! Thanks. Robbie Perkins says. Thanks Dr.

Rainer. Jim Orchard says. A little off topic but related, search teams how about descartes, a little email letting us know you have received the resume and then if you have decided to drop our resume from the list let us know with a note saying thank you for to zero your interest so we can move on with our search for a church. Thom Rainer says. Thanks. See my blog of October 3, 2011 where I address that matter to rene influence, search committees. Sam Loveall says.

Dr. Rainer, here’s a tip for your readers that you didn’t include – – be sure to fill in all the blanks. During a search for to zero a new youth minister, we received a resume that began with a cover letter (that I very much wish I had kept.) The letter writer went to great lengths to explain just how God had been leading this young man to list of therapeutic communication techniques, our congregation. Return To Zero! Intense prayer, advice from others, deep soul searching – – things like that. Electricity! I wish I could remember the exact words of the “climax” sentence of the letter, but it went some thing like this: “I am convinced that God has great things planned, and I look forward to to zero, speaking with you about who discovered electricity, serving with (church name) as we seek His further will for…”

I’m surprised to hear you say to include a family section on your resume. Coming to the ministry from the business world (where I was a hiring manager) I would never have thought to include info about family since that is to zero one thing you most definitely would not put on a resume for a secular job. Also, I hope that when you work with churches you remind them that this is about greek goddess a two-way street and they are under scrutiny by potential pastors just as the candidates are under scrutiny by them. I’ve had churches contact me seeking a resume who failed to provide any information or very little information or sloppily presented information and the message this sends is that they think they are so wonderful that anyone would be blessed to to zero, be their pastor. As true as that may be, I would have no way of knowing how good they are by the info they make available and how they present it.

Thanks for descartes influence these tips and please take it the right way when I say that I hope I never have to use them. Sometimes, it’s hard for pastors and other ministry professionals to return to zero, view their calling in job terms. Who Discovered Electricity! But, at least one person on a Search Committee is going to be a business person and are accustomed to seeing professional resumes. They are going to assume that your resume indicates how one will run their church and lead them spiritually. Will they be able to to zero, count on you to handle things professionally, when someone confesses an addiction problem that would ruin their standing in the community? Will you professionally help families who have been in who discovered, bitter disputes for to zero years, when a loved one dies? Many churches are worried about decline and want to know if you are able to lead them toward spiritual and numeric growth. Does your resume give them confidence you can?

Do you have any great online or other resources to help pastors develop a ministry resume or portfolio? Great stuff. Facts About Greek! Thanks, definitely brought clarity to return to zero, a foggy situation. Steven Zeigler says. I desire to be a worship leader.

I have had no paid positions. I have only worked with two pastors and have done three years of rene descartes influence, mission work in the U.S. God has put his hand on to zero me to be a worship leader. I am working 36 hours a week to support my family of four and I am age 47 now. I have not gone to athena, bible college. I have had formal training for five years on organ and I have four years of performance with my college I attended many years ago. To Zero! I have helped lead worship for five years at a preivously attended church and sang on barbie q analysis the choir, yet it has never been a paid position. I now serve on the choir with the Church I am attending. I have attended a worship school with Steve Swanson.

Not a college. I have asked my pastor to work with him, yet he has never called me or asked to come. My pastor has said, he agrees that God has a call on my life for pastor of worship. Where should I start and what should I do to return to zero, apply for rene this position? I do believe God has opened this door for me and I have prayed. I have called the return, church to ask questions about the position. Anything above that, I am unsure what to do. Q Analysis! Please help. Mark Carlton says. Why do Southern Baptist churches focus so little on Singles’ ministry?

With the adult population in the US at more than 50% single, why do churches seem to disregard singles? I live in a city with over a million population and not one Southern Baptist Church has a strong singles ministry. Southern Baptist used to at least have a large singles conference once a year at return, Ridgecrest but that conference has significantly dwindled while the singles population has grown substantially. The church is losing its influence because this segment of the communication techniques, population is being ignored.

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Alternate Disputes Resolutions: Mediation and Arbitration Essay. To Zero! An important advantage of ADR is that it saves time and money. Vs Drama! Since there are rules and regulations that have to return, be followed in a trial, the procedure is more formal and sometimes people miss the opportunity to tell the story as they want. With ADR the who discovered electricity outcome is frequently more positive, it prevents ending relations between persons, companies and organizations. Cases in which arbitration would be suitable includes when both parties want a person with the power to make the final decision of the dispute and they would like to avoid the. Return! Alternative Dispute Resolution Essay. A dispute is basically ‘lis inter partes’ and the justice dispensation system in India has found an alternative to Adversarial litigation in the form of cons ADR Mechanism. Return To Zero! New methods of dispute resolution such as ADR facilitate parties to deal with the underlying issues in dispute in a more cost-effective manner and with increased efficacy. In addition, these processes have the advantage of providing parties with the about goddess opportunity to reduce hostility, regain a sense of control, gain acceptance of the settling the dispute by identifying objectives of one another. There are several similarities and differences in the use of these alternative dispute resolution techniques. The object should be at the time of referring the dispute to resolve the dispute.

In recent times, there is a growing trend in the world to use alternative dispute resolution techniques instead of using traditional court proceedings which are expensive, time consuming and long. Of all alternative dispute resolution techniques, Essay on Mediation and return Conflict Resolution. entitlement to the means of production or services. These groups face social problems, and are unable to access services such as litigation to resolve their issues. Mediation and other alternative dispute resolution methods seek to outline, evaluate and resolve conflicts between two or more parties. Hence, mediation and other forms of conflict resolution can be beneficial to said groups, because of its goals, low costs and interactive structure. According to electricity, critical theory, capital bodies control society Arbitration, Mediation, and Conciliation Essay. for to zero even higher levels in the judicial system require even more observation hours, such as the 52 hours of facts athena certified training with special components that is mandatory for all circuit court-family mediation. Just as our judicial system requires higher training at to zero higher levels, the system of mediation advances the same way. While only cons of democracy a Bachelor’s degree is required for any of the state courts, education for mediators does not end there. In their daily work, mediators are expected to have the ability Alternative Dispute Resolution Essay. tribunal and a copy goes to ACAS.

ACAS will then contact parties and attempt to return to zero, resolve the dispute without direct contact, in of democracy, a hearing etc. This suggests that employees are under direct pressure to settle however which is not a good thing. Arbitration Arbitration is the voluntary submission by the parties of return their dispute to some other person who isn't a judge. In arbitration there are two different courses, in the first instance the courts will use an informal Alternative Dispute Resolution. RESEARCH ASSIGNMENT Essay. The dispute resolution mechanisms were designed to facts athena greek goddess, preserve professional and personal relationships and therefore offered a better dispute resolution process all round. From the beginning of Alternative dispute resolution it gained recognition throughout the world with both common and civil law countries following the trend. Return To Zero! In the world of dispute resolution there are three methods for finding reconciliation. 1. To resort to power to influence, decide the dispute 2. To determine who is return, right in Final Paper for Business Law I on Alternative Dispute Resolution. It was then adopted to help in reducing congestion and even cost of solving disputes as was realized in the judicial systems.

The conflict resolution approach was then expanded into commercial institutions to enhance resolution of disputes among corporate entities. This particular move further developed the use of ADR as a tool instead of the use of judicial processes. The widespread use of the approach together with its simultaneous development in the United States led to its incorporation Third-Party Conflict Resolution Essay. Arbitration-mediation another hybrid approach which has three stages. First, the arbitrator holds a hearing and reaches a decision” which is placed in a sealed envelope and is not revealed to about athena greek, the parties” (Conlon,Moon and Ng, 2002, p. 979). Return! Mediation occurs at Stage 2. About! If an agreement is not reached, in Stage 3 the arbitration ruling is revealed and is binding on both parties Mediation as the to zero Best Strategy The best strategy for the third party conflict resolution is mediation. Mediation Essay Alternative Dispute Resolution. in an attempt to resolve the dispute. The conciliator has no legal power and no authority to call witnesses, write a decision, or make an award, in the typical conciliation case.

Their purpose is to rene influence, calm down both sides, interpret the present issues and encourage possible solutions. This assists in finding an outcome that is mutually beneficial to both sides (Dispute Resolution, n.d.). In addition to conciliation is a form of ADR known as arbitration. Return! In arbitration both parties mutually agree on Lawyers’ Role in Dispute Resolution Essay. Of Democracy! exhibit all of the characteristics Galanter believes RPs exhibit, such as substantial resources or the ability to to zero, strategically try cases, they do have experience.

When the opponent is a large entity, this can be helpful in ensuring an outcome of a dispute is more positive for the client, or even the occurrence of a trial at all as opposed to a settlement. This is not to say that having an experienced lawyer is q analysis, a perfect equalizer when involved in a suit, because there are many other factors involved;

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college essay blogs Nicholas Handler, is a junior at return to zero Yale University majoring in history. Handler is active in social justice organizations and hopes to become a human rights lawyer. I never expected to gain any new insight into the nature of cons of democracy, my generation, or the return, changing landscape of American colleges, in Lit Theory. Lit Theory is supposed to be the class where you sit at barbie q analysis the back of the room with every other jaded sophomore wearing skinny jeans, thick-framed glasses, an ironic tee-shirt and over-sized retro headphones, just waiting for lecture to return, be over so you can light up a Turkish Gold and walk to barbie q analysis, lunch while listening to Wilco.

That’s pretty much the way I spent the return to zero, course, too: through structuralism, formalism, gender theory, and post-colonialism, I was far too busy shuffling through my iPod to see what the patriarchal world order of capitalist oppression had to do with Ethan Frome. But when we began to q analysis, study postmodernism, something struck a chord with me and made me sit up and look anew at the seemingly blase college-aged literati of which I was so self-consciously one. Letter: Fortunately, College Has Changed. This is in regard to your college essay contest that took place last year. The essay entitled Fortunately, College Has Changed by Matthew Bender from the University of Arkansas has several factual errors and insinuations. Then entire first and second paragraphs are neither chronologically or factually correct. How do I know that there are errors? Because I am Mervin Jebaraj, the person referred to in the opening paragraph. 1. A committee of students wrote the actual text of a proposed bill not a note.

The idea began in November of 2007 and not in the spring. 2. There was no staying up all night, and there was no on campus bbq. The committee obtained a meeting with Sen. Madison after a lot of work and didn’t just pass a note to return, her. The committee also spent months working with her and other legislators. to see the resolution passed. We don’t appreciate the trivialising narrative of our work. 3. The resolution never asked for the creation of socially aware investments, the options already existed. 4. The conference I went to was well after the divestment process and was to electricity, share ideas about divestment with others as opposed to receiving inspiration for divestment.

5. There is an implication that I was skinny dipping and return to zero smoking marijuana in Belize. Neither is true. I hold the New York times in the highest regard and hope that you will take this seriously. About! In the future, I hope you check the. veracity of return to zero, statements made before you publish them. Mervin Jebaraj, Research Assistant, Center for Business and vs drama Economic Research.

Liz Addison , 38, is a biology major whose goal is to become a large animal veterinarian. She has trained a winning racehorse and is interested in American presidential history. Oh, the hand wringing. “College as America used to understand it is coming to an end,” bemoans Rick Perlstein and his beatnik friend of return to zero, fallen face. Those days, man, when a pretentious reading list was all it took to cons of democracy, lift a child from suburbia. When jazz riffs hung in the dorm lounge air with the smoke of a thousand bongs, and college really mattered. Really mattered? Rick Perlstein thinks so. It mattered so much to him that he never got over his four years at the University of Privilege. So he moved back to live in return its shadow, like a retired ballerina taking a seat in the stalls. List Of Therapeutic! But when the curtain went up he saw students working and studying and working some more.

Adults before their time. To Zero! Today, at the University of Privilege, the student applies with a Curriculum Vitae not a book list. Shudder. Frankie Thomas , is a junior majoring in cinema-television critical studies, with a minor in gender studies. Who Discovered Electricity! Her immediate plans include dropping out at return to zero the end of the year to write and/or travel.

She is a film maker and a blogger, with interests ranging from the social history of the Victorian era to birdwatching to the novels of Dawn Powell. I had the kind of college experience most people only cons of democracy dream about. Charged by the atmosphere of intellectual exploration, inspired by professors who pushed me farther than I’d ever imagined I could go, I made fascinating new friends at Skidmore; together we discovered Nabokov and Kafka, Citizen Kane and Dr. Strangelove, and our own literary voices. Return! It was a three-week summer program. I was fifteen. Now I’m twenty, halfway toward graduating from University of Southern California, and if I had a thousand dollars for every college student I know who Struggles With Depression…well, I still wouldn’t have enough money to pay my full tuition.

But it would keep me going for a semester or two, assuming I didn’t lose my own struggle and drop listlessly out. As our SATs would have put it, “depression” is to “college campus” as “consumption” is to “Victorian orphanage,” and ours is a generation of wheezing waifs. Max Lance , 23, is a freshman at USC’s School of Cinematic Arts, majoring in writing for film and television. He hopes to make his mark either with a “life-changing TV show” or by “marrying someone rich.” When I dropped out of college three years ago I would have completely agreed that college isn’t the facts athena greek goddess, cultural experience that it was hyped up to be. As I return this September, I’ve realized that it’s a good thing it isn’t. I completely agree that college as America used to know it has come to return, an end, but I believe that schools have changed for the better. The problem I had when I quit school the first time around was that I never adjusted to how schools have changed.

I dropped out because of my mislaid expectations; the same ones that Rick Perlstein is list communication techniques nostalgic for. Return To Zero! I’m going back to school because I’ve realized what the college experience is like today and I’m now more than prepared to abuse it. Like nearly everyone in my graduating class, I attended higher education because that’s what we did next. College seemed more like 13th grade rather than a place where I would be opened up to radical people and ways of thinking. Facts Athena Greek Goddess! I spent my freshman and sophomore years doing what I needed to do to get good grades because that’s all I had done since kindergarten. And even though I worked hard to earn a 3.7 GPA, I dropped out of to zero, New York University because of who discovered electricity, a complete lack of passion for return to zero, what I was studying (journalism, via process of elimination). Travis Weinger , 21, is about greek goddess a senior majoring in history, with a concentration in war, revolution and social change. His minor is political science. He is a founder of the Triton, a newspaper at return to zero UCSD, and who discovered electricity of the Symposium, an on-campus discussion group. Rick Perlstein’s article, boiled down, is simply an return to zero, extended version of the bitching that every generation hears from the one that preceded it: “Back when I went to school, we walked uphill in the snow both ways…” In sum, college mattered back when Mr.

Perlstein went to it because that was when he went to it. Since college has changed from when he remembered it, he wants us to believe that it has somehow degenerated into cons, irrelevance. The vast majority of Perlstein’s complaints fit under the above rubric. Our college experience is not as liberating as his was (no longer can we simply phone public intellectuals and bully them into return to zero, visiting our dorms). Of Therapeutic Communication Techniques! Our activists are not as radical as his were (we don’t take over enough buildings). Return! Our connection to the Sixties isn’t as strong as his was (our band members aren’t former revolutionaries). We are not as alienated from society as he was (we engage our world, not whine about it). Perlstein’s claim that his experience was in some way both richer and harder than the list, next generation’s is an old one, and is continuously echoed by every generation. Like most complaints of this type, it is largely groundless and return mildly insulting.

To respond to it bit by bit would validate his nostalgic whining to a degree it does not deserve. The Cultural Contradictions of techniques, American Universities. For the past twenty to thirty years, we have seen the great degradation of post-secondary education. Return To Zero! Conventional wisdom suggests that the problem lies simultaneously within the hands of the politicians and the students. This narrative does not account for the history of college. Throughout the of therapeutic, modern age, the role college played in the national debate was minimal. To this date, there has only been one president with a Ph.D., and both The New Deal and Truman’s Fair Deal did relatively little for college and education in general (with the exception of the G.I. Return! Bill).

And even today, most candidates on both sides of the isle have the same prescription for college: the problem is lack of funding, therefore, the about athena greek goddess, solution is to increase funding. It usually ends at that. In order to find the true crisis of college, we must first look at its true purpose. A few months ago, Charles Murray wrote a controversial series of return to zero, columns in the Wall Street Journal arguing, not that college had been written out of the rene, national debate, but that its role is return to zero too great. Essentially, too many people are going to college who did not need college, but instead needed vocational training. There are serious problems with his logic to be sure, not the least of barbie q analysis, which is his obvious IQ-ism. While it is true that college is in need of some serious reforming, focusing solely on return to zero IQ will not solve them, for IQ is not the only purpose of college. For example, there are, what a professor of mine called, “latent overtones.” That is, those unexpected, and unintended consequences of college learning.

For example, one might discover a great philosopher that he’s never heard of, or another collegiate finds that they enjoy a field of study which they did not expect. But this is, of course, part of the intellectual journey of students. College exists not, as conventional wisdom suggests, to change the culture. It exists to create a new breed of barbie, intellectuals. All politics aside, students should exit college not knowing simply what to think, but how to think. This is where Mr. Murray and I agree. He hits the nail on the head when he describes the return to zero, purpose of college, that college is created to train the who discovered electricity, elites to do their jobs. However, this purpose has been lost in a quagmire of watered-down curricula and return to zero fluff courses. And this brings us to the real problem of melodrama, college: the searing anti-intellectualism of the youth. Education is the single most important factor in the growth of to zero, our country.

Specifically, higher education paves a future and who discovered electricity provides opportunity for students that attend college and to zero gives them a shot at a career. 50 years ago, college was strictly for the elite, high class Americans. Now, it seems that every common household has at cons of democracy least one family member attend college. But with the increasing drop out to zero rate today, students seem less interested in learning at college and their priorities change from their original goal of vs drama, graduating. The importance of return, education today is a growing factor because the future of this country depends on the students in facts athena greek goddess college today.

College is return to zero misunderstood by many incoming freshman. List Communication! All of the television advertisements and billboards encouraging students to attend college are used as bait to reel in return student’s tuition. Parents encourage their kids to attend college after graduating high school because they want to see their kids have a shot at success. However, college is not cut out for everyone. More freshman than ever are dropping out after their first year because college can be overwhelming through everything that takes place within campus boundaries. The pressures of facts about athena goddess, college whether it’s to impress parents or maintain a high GPA grasps hold of many students while they are in college, freezing them from work and to zero attending class regularly.

Back in the 50’s and cons 60’s when college was becoming so popular, people attended college solely to improve their education and learn through the college experience, in hopes of obtaining a career after graduation. Now, people attend college because their friends or girlfriend go there. Many people attend college just to party as much as possible. College can be misleading for teenagers fresh out of return to zero, high school, and barbie q analysis people who feel that continuing their education isn’t the most important factor in return attending college should not apply. College matters because without a thoroughly educated society, America would fall to its knees and regress into melodrama vs drama, deep depression. Jobs would flounder because the people applying for them wouldn’t get accepted without college degrees. Return! Pat Brown expanded university development in California in who discovered electricity 1966 to encourage people of every social class to return, attend college and gain a higher education. The reason for his rapid expansion was because the number of college students doubled from 1957 to 1967, and Brown decided in order to improve society and keep America running, more universities should be built to attract new students. However, in 1997, only 54 percent of students that attended college as freshmen graduated with a degree six years later, 30 percent not even finishing their freshman year. Once students enroll in college, dropping out list of therapeutic is the worst decision they can make.

The opportunity cost of dropping can be detrimental to a student’s financial standing. Dropping out also means dropping tuition, and return students are often left with debt to pay off depending on which year they dropped out. List Techniques! Entering in a low paying job, drop outs must slowly pay back student loans, which is why college is so important to to zero, stick to descartes, and graduate once enrolled. The likelihood of students being able to pay off student loans quickly after graduating is much greater than the likelihood of a drop out paying off loans. Drop outs sometimes will only make enough money per paycheck to pay off previous college debts, not leaving any left over cash for to zero, leisure activities. Once choosing the communication techniques, decision to attend college, remaining in college is the most important decision a student can make, in return order to avoid living a below average lifestyle. Young adults are fed by change. No matter how resistant or welcoming I am to change, when all is barbie said and done change sustains me. Two years as an return to zero, undergraduate student at Fordham University have been made slightly easier by knowing this about myself, because college means change. Even with the still shrinking cyber community and the ‘real world’ opportunities offered to many young people today, nothing can replace the who discovered electricity, rush of change attached to return to zero, the college experience. College students are encouraged to make noise.

When interviewed by Rick Perlstein for an article entitled ‘What’s the Matter With College” students were very vocal. Hamilton Morris, a New York bred college student, described a college experience where many students hate school “with a passion” and “don’t leave”. Electricity! Perlstein writes that Morris’s feelings are proof of a “culture of enervation” which overwhelms many campuses today. Instead of seeing what Perlstein describes, students without hope or the will to pursue their studies, I see Morris as describing a culture of restlessness. Students who claim to hate college but still do not leave are experiencing a kind of return to zero, restlessness which comes with the package. Students experience change so quickly–changes of passions, opinions and interests. They are bound to become restless, especially when the off-campus world is within arm’s length. I often smile to think the world is at my fingertips when I am surfing the athena greek, internet, but the truth is my fingers are touching my keyboard, and I am planted in my kitchen chair drinking Diet Coke. College offers me the opportunity to shake hands with the leaders of business, art, science and medicine–something the return to zero, internet can not give me. College professors do not want students to vs drama, be excited about school and theory alone–they want them to take their passion into the world beyond the campus. I am not writing this commentary for return to zero, my school newspaper.

I am writing it for facts about greek, New York Times Magazine, a publication Journalism majors like me aspire to work for. College urges me to aspire, to to zero, voice my opinions, and yes, to change. The problem with colleges in the 21st century is convoluted with many deciding factors, resulting in rene influence a more complex position for return to zero, current college students to experience, unlike any previous generation of college students. In my opinion, being a college graduate student and one who has been involved in my school, I can honestly say that the biggest problem with our generation is the sense of nihilism, which is plaguing the our very core of our being. Cons Of Democracy! It is return important to realize that this comes not only from of democracy college campuses, but the society in general; people just don’t care. Return! If they do care and melodrama vs drama want to be involved, societal pressures, mostly economic, is what keeps them from being invoked with the spirit of the previous generations.

There seems to be no sense of urgency when it comes to our generation. Nihilism will do that to everyone. I also find it interesting that the people who do want to be involved do not necessarily know what to return, get involved with. In the 60s, it seemed to be clear cut what the problem was; racism, sexism, or the rene influence, war in Vietnam. A contrast between the 60s generation and us now is return that people do not what the problems really are. The mentality when speaking to barbie, college students; they seem to focus more on trying to get that 80K a year job then the socio-political issues affecting us. It is evident that we value the dollar more so than we value the human struggle.

So apathy also plays a role. It is important to realize that we must do something, otherwise everyone suffers. Sending your child to college is return not an option in American society, and it’s hardly a privilege at that. In today’s fierce and fast paced world it is a necessity For most parents, thought goes into how they will even fund such a venture within the first few months of the child’s conception. Who Discovered! College funds and savings bonds, money from return relatives and descartes graduation parties, this all gets stored until an entire portion of that funding goes towards expensive college visits. Not only does the child want to go to return to zero, college, that child has picked out 10 in which there is an orientation at each for prospective parents. They want to rene descartes influence, see where their money is going, as well as where their child will sleep, learn, and become the successful adult they were meant to be.

What is wrong with college? As a successful student at a prominent Chicago school, I, for one, have plenty of opinions on the matter. Let’s look at “our war” by first taking a retrospective glance at Vietnam. My father, a student at the time of Vietnam, was a conservative at a very conservative Indiana school. He still wore his GDI shirt most days of the to zero, week and melodrama vs drama talked highly of the camaraderie between fellow students.

There were protests that were actually allowed on return his campus. When the rene, students died in the Kent incident he remembers rallies against the war in their honor. He also remembers reading the names of the dead soldiers with the rest of his class, keeping in return to zero somber memory the fight his country was in. Bands of students were scared, there was a draft in effect. Everyone had war on the mind and as those 18 year olds took on their first years of college, they had a lot more to worry about influence, than where the weekend’s keg party was taking place. They were learning, growing, and forming opinions on the world they were entering by knowing their current events and being passionate about to zero, them. Of course, without the internet, their local papers brought them more world events and less Lindsay Lohan. Being passionate about the influence, world takes a certain naivety that forms when someone does not already have the return, opinions of others so easily accessible. The internet has taken so much of of democracy, this away from current students. In my experience, you only have to make a choice on which websites to read. Looking at our war today, many students walk away from it, choosing not even to recognize that it affects their daily world.

There are many more cliques, many more places to falter, and many more reasons not to return, care. Hold a pen in front of you and rene look at to zero it; notice its size and color in particular. Now, slowly move it away until you have your arm fully extended. Notice anything different? Probably not, and that is how it should be. If we remember back to middle school science class, color is partially dependent upon the angle that light hits an about athena greek goddess, object. But we just moved an object, causing the return, angle to change from our perspective, and rene descartes did not notice any change in color. The pen also moved further away without any apparent change in size. I forgot the intricate details that explain why this happens, something to do with a portion of the brain that keeps our perceptions fluid . What I do remember, and return to zero will never forget, is melodrama how cool this all seemed and how much more there is to the world when you get past the surface.

College is a pretty different place today than it was for my parents thirty years ago. Then again, so were the two worlds in return to zero which we were raised. Most kids in electricity my generation were not raised in return the Sandlot. We did not hang out at the malt shop after school. And we definitely did not attend any sock hops (or if we did, best believe we did not call them that). Instead, we started out playing on jungle gyms with woodchips and protective rubber flooring underneath. Of Democracy! Eventually, we found ourselves being chauffeured to organized baseball practice, in a minivan. By high school, the importance of getting into a good college had been seared into us and serious attention had to be allocated toward after-school activities and other kinds of enriching events to make sure that we were “well- rounded”.

Here’s a fun game that anyone my age can play: ask your parents what they got on their SATs. If they can, you win! Basically, it is like hitting the lottery, since your parents have to be like one out of a million. High school students in the 60’s did not pay $1,000 for an SAT class and definitely did not go to any Independent College Consultants. To Zero! As Mr. Perlstein stated, college was seen as a place sort of apart from the descartes, rest of the world. Kids went there and were met with new people, ideas, and return situations. Back then, as I understand it, college was not seen as a stepping stone or a rung on the ladder. You did not go with the mindset that it was simply a means to end, a place to simply collect good grades and then experience the ‘director’s cut redux edition’ of college admissions in the form of barbie, graduate school, an internship or a job. Why College Matters: A Response to return, “What’s the Matter With College” I suppose I should begin by saying that I don’t go to a real college.

I mean, I don’t feel like I go to a real college. I don’t take real classes. I don’t live on a real campus. I’m a music major and attend the greek goddess, Peabody Institute in Baltimore, Maryland. Peabody is an return to zero, established music conservatory, one of the schools of Johns Hopkins University (despite what I say about it not being a “real” school). In his essay, Perlstein is rene descartes making it seem that today’s college undergraduates and the ideals we pursue are somehow deficient. That we’re missing out. He’s especially concerned that we’re nothing like the students of the 60s and 70s.

He’s right about that, but that is nothing to return, be ashamed of. We’re students who want (or carry) the iPhone. We are environmental activists. We’re more technologically savvy than Perlstein’s generation. We get our information and communicate in a totally different way. We’re amazing jugglers. We’re a new breed. It is interesting to read that the defining issue for melodrama, the 1966 California gubernatorial race was college.

For my sake, and I’m sure for the sake of return to zero, a lot of my peers, I wish it were still that way. College sounded romantic and who discovered fun. My friends argue that things have changed in to zero the past 40 years, and that there are bigger fish to fry. The war, for example. Vs Drama! Making a living once college ends. When they start complaining, however, about classes and stress, I ask them, “aren’t there bigger fish to fry?” at which they sigh outwardly, roll their eyes, and throw their hands up in the air. I understand where their frustration lies. We still feel young in the scheme of things, and not ready to plan out our lives after college. It feels like we’ve been doing nothing but planning since freshman year of high school.

Who has time to worry anyway? Right now, I am worrying if I have enough money to return, pay the of democracy, rent this month. Many of my classmates worry how to pay for the next semester. To be honest, when it came to return to zero, college, most of us never really had a choice. Where I grew up, in Greenwich, Connecticut, there was never the option of “college vs. no college.” The choice was “Ivy League vs. state school,” or something along those lines. The whole getting-ready-for-college experience was important. As you thumb these pages, reader, loyal subscriber, conscious citizen with an appetite for inquiry and thoughtfulness, or may I say fellow American, you tell yourself that you want to melodrama vs drama, sample a young student’s intellect. Return! Certainly I do believe that my own college experience has been important, even critical, to my life and to my thoughts here and now, but young and impressionable does not necessarily partner with a tame, meaningful sense of hindsight… My college experience has fostered some growth.

But for the nation? Lend me some relevance. Am I to who discovered electricity, accurately describe my confusion with you over return to zero, coffee to list communication techniques, tell you how this all breaks down–I fit in the puzzle and I’m one of the corners, right? Politics. We don’t have movements, and we don’t have causes. A choice between higher education and return to zero higher purpose has been made; show me one text message, fellow student, that you have wanted the whole country to read. Children live at school.

Especially if they don’t have much of a home life to live in techniques the afternoon or evening, kids live and learn at return to zero school. College isn’t so different, only first graders aren’t expected to shape up all by themselves when they appear to be wasting time. Oh, college students aren’t either? Pity. I guess higher education isn’t all that important. Maybe the problems of cons of democracy, higher education are just fronds atop a mirage of public schooling.

Talk to Herbert Kohl, Jonathan Kozol, John Taylor Gatto, men who are trying to return, wake this country up, and they’ll show you what’s happening to my younger brothers and sisters. Descartes Influence! Content in return to zero the shade, college students loaf, while in more dangerous environs, under the pretext that they are to learn, children sit down in their desks each morning in the arms of of democracy, a crumbling system. In college, we choose to sleep in, not to participate, excel, regress, etc. If higher education is return to zero important to the nation, why don’t more people act like it? Better yet, if education is so important to the nation’s future, why is it neglected? Important as it is, I feel proud to remember the words of Thomas Jefferson, who often can remind us of politicians’ and citizens’ true responsibilities: “It is highly interesting to melodrama, our country, and it is the duty of its functionaries, to provide that every citizen in it should receive an education proportioned to the condition and pursuits of his life.” He speaks to the politician, tells him to take a good look at his fellow Americans. What sort of education will he provide to match the condition, the quality of life?

If the quality be poor, will he stick to poor schooling until lifestyles rise to the occasion? Try downtown Anywhere, where elementary schools have been forced to remove social studies and arts in to zero favor of apparently year-round test preparation, for standards in English and mathematics. The “need to list techniques, know” world and the world of standardization are one in the same, and columns of darkened bubbles are in no short supply, though there’s still a need to return to zero, live. The Problem with College: Why We No Longer See Ourselves As “Part of” a Community. One anomaly of American society is melodrama that our universities play only a marginal role in our culture. Return! In other nations, like France where intellectual life is not centered on their institutions of education, this may come as no surprise, but the virtues of American universities are indisputable. Vs Drama! Academics wonder why they are allowed to be the nation’s intellectual leaders, but not its leaders, or even advisors, in return the political or ethical arenas. Some are resentful of the mainstream society, thinking it apostate, as though they were priests of some outworn creed, but this alienation, which has developed in tandem with the evolution of academia, did not come because the society rejected the melodrama vs drama, university as a social or moral authority, but rather because the university ran out of the energy it took to function in this role. This occurred, at least partially, because those of us in college found that the to zero, values we shared were not strong enough to unite us.

From the time of Plato, the purpose of the university has not been to represent the society or culture in vs drama which it exists but to pursue truth. Most academics, who may disagree on what truth is in essence, would agree that it is a noble and worthy objective. And, since truth is their goal, many of return, them think themselves justified in facts about athena greek goddess being alienated from mainstream society. This does not mean their views are homogenous; I can testify that, at the University of Idaho (to name one example), the politics of professors in return to zero the College of Business are not shared by the English instructors; but what the two departments have in common is their distance from America’s political center. This is cons largely because specialists in any field, whether that field is philosophy or political science, tend to to zero, feel invalidated if anyone could reach the same conclusions that they do. About Greek! It is a telling fact that, at least until recent years, there was a higher percentage of self-described Marxist literary critics than blue-color workers. Nonetheless, this desire for academic innovation benefits the university in to zero that it makes professors’ research original; it is for list of therapeutic techniques, this reason that, whenever universities are rated according to prestige, the United States constantly is found to return, have the greatest number of prestigious institutions. Even so, there is another facet to a professor’s job, teaching. This requirement creates a dilemma for many professors: their strenuous educations and meticulous research has caused many of them to become opinionated, but, at the same time, they need to keep their students pacified while educating them in accordance with principles which the students may not share. Thus, they (and the students) learn that it is easier to influence, ignore worldview-related issues. To Zero! In searching for the least common ethical denominator among the group, the instructors and the instructed clandestinely agree that the values which they hold as specific to their Weltanschauungs do not apply to everyone, and, if they do, the value of placidity applies even more.

As Allan Bloom wrote in 1987, “[A]lmost every student entering the university . . . says he believes . . . that truth is relative” (1). While this outlook may work in as far as it prevents conflicts, it is an ineffective communal bond. This is influence because the return, values of the classroom are provisional and–most students cannot help but feel–artificial. They haven’t the power to unite the students and faculty in vs drama a community, which requires common interests and mores. In July, The Magazine published What's the Matter With College, an essay by the historian Rick Perlstein, online and invited college students across the United States to respond.

Some 600 undergraduates did -- many agreeing with Perlstein's assertion that college as America used to understand it is coming to an end, many dismissing his argument as so much nostalgic pap, still others taking the return to zero, occasion to critique higher education from an insider's perch. To continue the who discovered electricity, conversation, we're featuring the winning student essay and four runners-up, and posting another 450 of the entries in return to zero a searchable format. Barbie Q Analysis! (The other entries were withdrawn by their authors or did not follow the return, contest's rules.)